Modernism, Cultural Production, and the British Avant-Garde (Paperback)

Illustrations; Acknowledgements; Introduction: On the nature of being otherwise; Part I. Critique: 1. Fascism and/or liberalism: the avant-garde and modern capital; 2. 'No end, but addition': T. S. Eliot and the tragic economy of high modernism; Part II. Construction: 3. The modern temple: T. E. Hulme and the construction of classicism; 4. 'A fairly horrible business': labour, World War I, and the production of modern art; 5. Thesmophoria: suffragettes, sympathetic magic, and feminist classicism; Notes; Index.