Recorded Music : Performance, Culture and Technology (Hardcover)

Introduction Amanda Bayley; Part I. Recordings and their Contexts: 1. The rise and rise of phonomusicology Stephen Cottrell; 2. Illusion and aura in the classical audio recording Peter Johnson; 3. Ethical and cultural issues in the digital era Andrew Blake; 4. The changing functions of music recordings and listening practices Adam Krims; Part II. The Recording Process: 5. Producing performance James Barrett; 6. Modi operandi in the production of 'world music' recordings John Baily; 7. Recording and the Rattle phenomenon David Patmore; 8. Jazz recordings and the 'capturing' of performance Peter Elsdon; Part III. Recordings as Texts: 9. Jazz recordings as social texts Catherine Tackley; 10. Recordings as research tools: perspectives from ethnomusicology Jonathan Stock; 11. Multiple takes: using recordings to document creative process Amanda Bayley; 12. The phonographic voice: paralinguistic features and phonographic staging in popular music singing Serge Lacasse; 13. The track Allan Moore; Part IV. Sonic Creations and Re-Creations: 14. From sound to music, from recording to theory John Dack; 15. Modes of appropriation: covers, remixes and mash-ups in contemporary popular music Virgil Moorefield; 16. Painting the sonic canvas: electronic mediation as musical style Albin Zak; Epilogue: 17. Recording technology in the twenty-first century Tony Gibbs; Select bibliography; Select discography; Select webography.