When Opera Meets Film (Hardcover)

Introduction; Part I. Style: 1. Operatic style in Coppola's Godfather trilogy; 2. Opera as fragment: 'Liebestod' and 'Nessun dorma' in Aria; Part II. Subjectivity: 3. Subjectivity in the opera-films of Jean-Pierre Ponelle; 4. Don Giovanni and subjectivity in Claude Chabrol's La Ceremonie; Part III. Desire: 5. 'An honest contrivance': opera and desire in Moonstruck; 6. The sound of desire: Cosi's 'Soave sia il vento' in Sunday, Bloody Sunday and Closer; Epilogue; Bibliography; Filmography and videography.