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How To Read Eastern Art

How To Read Eastern Art

(<동양화 읽는 법> 영문판)

조용진 (지은이), Ji-yung Kim (옮긴이)
  |  
지문당(JIMOONDANG)
2018-02-20
  |  
30,000원

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How To Read Eastern Art

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· 제목 : How To Read Eastern Art (<동양화 읽는 법> 영문판)
· 분류 : 국내도서 > 예술/대중문화 > 미술 > 미술 이야기
· ISBN : 9788962971873
· 쪽수 : 276쪽

목차

Preface
Introduction

Chapter 1 Questions That Cross Our Minds as We View Eastern Paintings
Irrational details
Paintings with the same format
Events that did not take place in the real world
Art is a cultural compact
Appreciation of Eastern art should begin with an Eastern approach
Eastern paintings are for reading
A lone heron on a pond with a withered lotus is a typical example of art-reading
The forgotten principles of art-reading

Chapter 2 Homophony-based Reading
Distortion of the magpie and the tiger
It should be a pine tree, a magpie, and a leopard in the painting
Countless examples equating homophony with synonymy
Mere homophony is sufficient
A trend especially pronounced in ideogram systems like the Eastern culture
Why pair the crab with reeds?
Two crabs holding reed flowers in their mouths
White deer paired with Chinese juniper
Spelling longevity (壽) with a Chinese juniper
Writing longevity (壽) in 16 different ways
The reason for pairing the bamboo with rocks
So long as we are drawing a bamboo, let us draw a Phyllostachys edulis
What is an autumn cricket doing on a summer orchid?
The creepy bat signifies fortune
Reeds and wild geese symbolize a comfortable old age
Cat paintings congratulate someone who just turned 70
Cat-and-butterfly pairings
A cat next to chrysanthemums
Owl paintings with the same congratulatory meaning
The ingrained belief in the power of language or letters
The act of sedition by National Academy (成均館) students under King Sejo
Bookcase paintings in the study

Chapter 3 Allegorical Reading
The winter bird mandarin duck on a pond in July
The contents of the Five Blessings, revised in Tang China
Guo Ziyi and his many descendants
Pomegranate paintings denote a wish for many sons
Peony paintings stand for wealth and nobility
The Memorabilia of the Three Kingdoms is responsible for the mistaken belief that peonies are odorless
Peonies were painted without butterflies as early as the Tang Dynasty
Queen Seondeok was unaware of the principles of art-reading
The iconography of Hanafuda
Pairings of peonies and a rooster
Peonies with a vase
A pine tree, bamboo, and a pair of white-headed birds
Peonies and plum blossoms do not bloom at the same time
Crane paintings
A crane with a pine tree
A crane by the rolling sea
The pine and the lingzhi mushroom
The lingzhi mushroom means, ‘to have one’s wish realized’
Most paintings of vessels with cut branches (器皿折枝圖) express a wish for happiness in this life
The rose is a symbol of youth
The peach should be painted green
Donfang Shuo (東方朔) of the three thousand jia and the peach
It is incorrect to draw Dongfang Shuo as a grizzled old man holding a peach
The ugly black crested myna denotes filial piety
Goldfish paintings convey the message, ‘May gold and jade fill your home!’
Lotus paintings encourage a thrifty lifestyle
Chrysanthemum paintings symbolize longevity
It is wrong to pair the chrysanthemum with multiflora rose hips
Seeking meaning in objects is a cognitive attribute specific to humans
Finding meaning in the shape or biology
Art-reading principles may sometimes restrict artistic expression
Minnows and duckweed
Why draw the carp in twos?
Minnows, duckweed, carp, water pepper, lotuses, mandarin ducks, wild geese, and reeds

Chapter 4 Reading Art by Invoking Classical Quotes or Anecdotes
Pictures were also used in the pursuit of spiritual values
The moral of The Three Hibernal Friends concerns the society of good friends
Flowers from all four seasons in the same painting
Even paintings of foot-bathing mean something
If the water of the Canglang is clean …
The reason scholars adopted the character 滄 in their pen names
The Four Books and the Three Classics at work even in palatial architecture
The patterns shaped like the calyx of a persimmon were inspired by the Classic of Poetry (詩經)
Paintings of three fish belong in the study
Qi Baishi’s message in his painting of three fish
Paintings of nine fish
“Long live the homeland” (江山萬代)
Nine quails
Quails stand for comfort and peace
Fish idling about
Nine herons
The foremost consideration(s)
Art criticism in the East
The Four Grades
A boy pointing at a mountain shrouded in clouds
Scene of an old man fishing
Painting of a middle-aged man fishing
The Eight Anecdotes
Ear Bath in the Yingchuan
Painting of four old men playing Go
Sailboat against an autumnal backdrop
Staring at Nanshan leaning against a pine tree
Pointing at wild geese in flight
Admiring a waterfall
Standing on a bridge on a donkey’s back as a blizzard howls
With the plum blossom as wife, and the crane as son
Painting as another medium depicting the ideals of Eastern scholars

Chapter 5 How To Appreciate Contemporary Korean Art
How to appreciate contemporary Korean art
Eastern art and Western art are fundamentally different
Western artists paint as they see, whereas Eastern artists recorded what was
Art criticism in the East versus the West
Paintings that are read do not exist in Europe
What every Korean artist longs for
The factors that have landed Korean painting in its current quandary
The fundamental problem of Eastern art in Korea?a dead end
Twenty years later: The artistic community in Korea today
Five requisites for the establishment of Korean art

Bibliography
Index

저자소개

조용진 (지은이)    정보 더보기
초등학교 3학년 때 담임선생님의 권고로 레오나르도 다 빈치를 흠모하여 화가가 되기 위하여 홍익대학교 동양화과와 대학원을 졸업하고 서울교육대학교 미술과 교수를 지냈다. 해부학사에도 큰 업적을 남긴 다 빈치를 닮고자 중·고·대학 시절 각종 해부학을 독학, 미술대학 졸업 후 의과대학에서 7년간 해부학 조교로서 인체해부학을 공부하고, 일본 동경예술대학에서 미술해부학으로 박사학위를 취득했다. 현재 한국형질문화연구소장으로 얼굴과학, 얼굴의학, 얼굴공학, 얼굴문화학을 연구하고 있으며, 약 2만 명의 얼굴 DB를 구축하여 지역형, 씨족형 등 100여 종의 한국인 얼굴 복원과 두상을 제작하였고, 주 연구 관심사는 한국인의 얼굴과 문화와 뇌, 이 3자의 상관성이다. 여러 가지 고안 및 발명이 있으며, 한국 우주인 이소연 씨의 안면우주부종을 계량화할 수 있는 등고선 촬영 장치인 '2008 한국 우주인용 모아레 장치'를 개발하여 세계 최초로 우주부종의 변화를 계량화하였다. 물론 미술과 교수로서 그림도 그리고, 후학들에게 전통초상화기법을 전수하고, 미술해부학자로서 여러 학술 활동과 복원상과 조각작품도 제작한다. 가수였던 다 빈치를 따라 성악 공부를 계속하여 독창회도 2회 가진 바 있다. 저서로는 『동양화 읽는 법』 『서양화 읽는 법』 『얼굴, 한국인의 낯』 『미인』 『한국인의 얼굴, 몸, 뇌, 문화』 등 15권이 있다.
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Ji-yung Kim (옮긴이)    정보 더보기
Holds a doctoral degree in linguistics from the University of Massa\-chusetts Amherst. Taught linguistics at Georgetown University, the University of Texas at Austin, and Seoul National University. Has been working full-time as a freelance translator (English-Korean, Korean-English, French-English) since 2008.
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