William Eggleston  | Steidl

0원  | 20231019  | 9783969992203

I am at war with the obvious. William Eggleston At the beginning of photography, the sky was invariably grey, and both art photography and photojournalism were long dominated by black and white. Although the first universal colour slide film came onto the market in 1935, it was reserved for the world of advertising, and as late as the 1980s it was still considered commercial, vulgar and unartistic.

William Eggleston III  | David Zwirner Books

106,000원  | 20221018  | 9781644230770

The Outlands, a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist’s lens: vibrant colors and a profound sense of nostalgia echo throughout Eggleston’s breathtaking oeuvre.

Eggleston William, Ne  | Thames & Hudson

520,000원  | 20161103  | 9783958292567

Eggleston, William (PHT)  | Thames & Hudson

0원  | 20090629  | 9783865219152

For photographers, the city of Paris must constitute a genre of its own (alongside "nudes" or "botanical"), so perennially photogenic are its streets, skylines, storefronts and people. Here, William Eggleston-"The Father of Color Photography"-offers a brilliant, unusual take on Paris today, with depictions that completely revitalize our sense of this most picturesque of cities. Eggleston spent three years working throughout different seasons, to craft images that reveal surprising and rarely-seen facets of the city, as one might expect from the lens of a photographer most associated with the American South. Eggleston constructs with color-the brilliant yellow of a shop front, the intense blue of a street sign, the carnival colors on a merry-go-round-and of course with little gems of detail-plastic flowers in a shop window, a plastic bag or a woman's supersaturated red shoes-locating effects that are simultaneously rustic and cosmopolitan, glamorous and gritty, everyday and extraordinary. The first print appearance of this new work, Paris is published for Eggleston's exhibition at Paris's Fondation Cartier, and also includes paintings juxtaposed with the photographs that inspired them. His Paris is a triumphant successor to Eugene Atget and Henri Cartier-Bresson.

 | Scalo

0원  | 19990801  | 9783908247982

 | Steidl

419,000원  | 20220901  | 9783969990889

“Chromes shows the best of William Eggleston’s early transparencies for the first time, excluding those published in his Guide. The three volumes of Chromes form a visual register, making clear that Eggleston had grasped the concept of the ‘democratic camera’ early on in his career. The compilation and sequencing of pictures in Chromes were made in close collaboration with William Eggleston, and together with his sons Winston and William III.

Eggleston, William  | Twin Palms Publishers

115,000원  | 19990301  | 9780944092705

A tribute to Eggleston’s brief experimentation with pocket-sized photographs Born and raised in Mississippi and Tennessee, photographer William Eggleston began taking pictures in the early 1960s after reading Henri Cartier-Bresson’s The Decisive Moment. After switching from black-and-white film to color film in 1966, he occasionally used a two and one quarter inch format for photographs.

Eggleston, William, Chubb, Caldecott  | Steidl

105,000원  | 20190917  | 9783958293892

Danish design is inextricably linked with the design icons of the twentieth century.

William Eggleston III, Holborn, Mark, Winston Eggleston  | Steidl

538,000원  | 20210209  | 9783958292659

 | Yale Univ Pr

73,800원  | 20160906  | 9780300222524

 | National Portrait Gallery

51,000원  | 20160722  | 9781855147102

William Eggleston's photographs are special for their eccentric, unexpected compositions, playfulness, implied narrative and, above all, his portrayals of people. This title accompanies the first exhibition to explore Eggleston's pictures of people. It includes works that span his career from the 1950s onwards.

Steidl  | Steidl

85,000원  | 20140315  | 9783869307107

In April 1979, a book of fifteen colour photographs by William Eggleston was published in a limited edition of twenty. The photographs were taken from the second chapter of an unpublished larger work entitled Wedgewood Blue.

William Eggleston III, Chubb, Caldecott  | Steidl

67,000원  | 20200310  | 9783958293908

When William Eggleston’s second artist’s book Morals of Visions was first published in 1978 in a limited edition of fifteen, only a handful of lucky people were able to obtain it; it has since become a collectible rarity. That is now to change with this new Steidl edition, which re-imagines Morals of Visions as a trade book for the general public.

 | Steidl Publishers

92,000원  | 20171226  | 9783958292666

"On the eve of the election, when nothing had yet been decided, when everything―whatever that everything was―hung in the balance, Eggleston made an elegy … a statement of perfect calm." ―Lloyd Fonvielle In 1977 William Eggleston released Election Eve, his first and most elaborate artist’s book, containing 100 original prints in two leatherbound volumes, housed in a linen box.

William Eggleston III, Holborn, Mark  | Distributed Art Pub Inc

1,003,680원  | 20151124  | 9783869307923

Welcome to the comprehensive catalogue of logos. Across industry, media, music, and more, this far-reaching collection explores the irrepressible power of a brand's graphic representation. Thematic chapters explore how text, image, and ideas distill into a symbol. In handy reference-book size, this is a definitive introduction to the...