| Stockmans NV

108,790원  | 20240812  | 9789077207338

For 25 years Peter de Cupere has been one of the most proactive proponents for the use of scent in art. Text in English and Dutch.

 | Wits University Press

132,300원  | 20150501  | 9781868145256

This four-volume publication reappraises South African visual art of the 20th century from a postapartheid perspective. This second volume discusses how, between the end of the Second World War and the Soweto Uprisings, South Africa was increasingly isolated from the international world by its policies of racial exclusion and extreme social engineering.

Kester, Grant H.  | Duke Univ Pr

195,050원  | 20120828  | 9780822349723

Provides an overview of the broader continuum of collaborative and collective art practices

 | Hutson Street Press

55,030원  | 20250522  | 9781025113753

This monograph considers whether operational art and the operational level of conflict are viable constructs for Canada or other middle-powers. Like most of America's close allies, Canada quickly followed the US lead by adopting these operational concepts into its service and joint doctrine.

 | Hutson Street Press

29,300원  | 20250522  | 9781025118772

This monograph considers whether operational art and the operational level of conflict are viable constructs for Canada or other middle-powers. Like most of America's close allies, Canada quickly followed the US lead by adopting these operational concepts into its service and joint doctrine.

 | Springer Nature B.V.

73,480원  | 20221125  | 9783031140853

This book brings together empirical and theoretical case-study research on art and heritage crime. Drawn from a diverse group of researchers and professionals, the work presented explores contemporary conceptualisations of art crime within broader contexts. In this volume, we see 'art' in its usual forms for art crime scholarship: in paintings and antiquities.

 | Routledge

314,820원  | 20221007  | 9780367772628

Focusing contextually on the initial lockdowns of the pandemic in 2020, this book proposes that art-based research has a central, illuminative role to play in our understanding of unfolding crises.