Mucha, Alphonse, Sato, Tomoko, Bodle, Kelli  | D.A.P.

81,600원  | 20250311  | 9781636813998

Maas, Winy  | D.A.P.

50,150원  | 20210101  | 9788495273192

The popular coastal regions of Spain and Portugal, almost entirely financed by tourism, have become increasingly indistinguishable from any other heavily-visited beach front locale, be it Cancun, Miami, Rio, or Hawaii. Exploiting the natural beaut...

Messager, Annette  | D.A.P.

0원  | 20061216  | 9781933045351

Kahlo, Frida/ Ugalde, Nadia/ Coronel Rivera, Juan  | D.A.P.

0원  | 20061130  | 9789685208574

Wiseman, Adam/ Hollander, Kurt  | D.A.P.

0원  | 20060701  | 9789685208475

Presents images of Mexican supermarket items designed for local consumption, while considering the ways that these distinctive commercial designs reflect aspects of Mexican culture.

Ruscha, Paul  | D.A.P.

0원  | 20060421  | 9783865212313

"This book is an incomplete and imprecise inventory of Paul Ruscha's collection, a collection that also includes significant paintings, sculpture and objects accumulated over the years. It also includes texts by Ruscha explicating the nature of his attachment to the various elements of his collection, as well as reminiscences on the artists whose work he has been collecting."--Publisher.

Montgomery, Jeannette Barron/ Haring, Keith  | D.A.P.

0원  | 20060315  | 9783935567299

The photographer Jeannette Montgomery Barron, whose subjects have included Andy Warhol and Cindy Sherman, was introduced to Keith Haring in his New York studio in 1985. That meeting led to the series of photographs now being published here for the first time, a pictorial dialogue between the meticulously observing Montgomery Barron and the stylized icon Haring that unfolds with its own dramatic narrative. For Montgomery Barron, observation is a means of immersing herself in her subject. Being observed enabled Haring to play with perception in a way viewers will recognize from his works. Session with Keith Haring invites us to take part in this encounter and to let Haring come to life again before our eyes.

Riemel, Mike/ Boerger, John/ Wohlrabe, Marc  | D.A.P.

0원  | 20060301  | 9788496540033

Richter, Gerhard  | D.A.P.

0원  | 20041130  | 9780970888433

Nine landscape paintings spanning over 30 years of Gerhard Richter's career are presented in this exhibition catalogue by Zwirner & Wirth gallery in New York. As Richter once stated, "For me there is no difference between a landscape and an abstract painting . . . I refuse to limit myself to a single option, to an exterior resemblance, to a unity of style which can't exist. A color chart differs only externally from a small green landscape. Both reflect the same basic attitude. It is this attitude which is significant."Essay by Jean-Philippe Antoine. --- FROM THE PUBLISHER

 | D.A.P.

0원  | 20041015  | 9781891024955

Dupuis-Labbe, Dominique (DST), Giraudon, Colette (CON)  | D.A.P.

0원  | 20040815  | 9783936646597

Picasso once said, "It is my misfortune?and probably my delight?to use things as my passions tell me." And so he did, throughout his long life, across a stylistically pluralist oeuvre in which his amorous life could be traced through the lines of women's faces. For Picasso always used his lovers as his models (or his models as his lovers, depending on your point of view), and Marie-Therese Walter was no exception. Picasso met the 17 year old in 1927, and she soon became his favorite model and muse, as well as his secret lover. Over the next ten years, Picasso intensified his sculptural and graphic work, stylistically ranging between classical and surrealist, went through an acrimonious and unsuccessful divorce with his wife Olga, and fathered a daughter named Maya with Marie-Therese, who lived in vain that one day Picasso would marry her. She hanged herself after his death. This publication, which features a multi-disciplinary selection of masterpieces by the artist, is the second in a series devoted to Picasso and Women; The Time with Francoise Gilot was published last year. --- FROM THE PUBLISHER

Warhol, Andy/ Elger, Dietmar (EDT)  | D.A.P.

0원  | 20040701  | 9783775713900

Perhaps no other artist from the second half of the 20th century is as familiar to the public as Andy Warhol?and his self-portraits can hardly be said to have played a lackluster role with regards to the artist's celebrity. U.S. postage stamp anyone? Occupying a position of central importance in his oeuvre, Warhol's self-portraits also occupy a consistent, long-running one. From the first self-images in gouache painted by 16-year-old Andrew Warhol in the mid-40s to the fright-wig series completed shortly before his death in February 1987, Andy Warhol continually used self-portraiture to reflect on his position and social status as an artist, performing a variety of roles in the process. Yet he never made use of the traditional topos of the artist's self-portrait; his fascination with transience and death is constantly present, as in his other works. Although a seemingly endless number of books have been published on Warhol's various work groups, this is the first monograph devoted exclusively to his self-portraits. The accompanying essays discuss different aspects of the theme and examine Warhol's self-portraits in the light of an expanded concept of the artist's self-portrait in the 20th century. --- FROM THE PUBLISHER

Wye, Deborah  | D.A.P.

0원  | 20040701  | 9780870704536

Rylands, Philip (FRW)  | D.A.P.

0원  | 20040201  | 9780892071814

A guide to Peggy Guggenheim's personal collection of 20th-century art. Among the artists represented are Picasso, Braque, Duchamp, Mondrian, Kandinsky, Klee, Magritte, Dali, and Pollock.

Bochner, Jay, O'Keeffe, Georgia (COR)  | D.A.P.

0원  | 20030401  | 9781891024498

"From the crossfire between Marcel Duchamp and Alfred Stieglitz and their respective circles there emerged what Debra Bricker Balken calls "a critical reformulation of modernism, one that imprinted the direction of subsequent American art." Balken traces the fascinating threads of the debate between Duchamp and Stieglitz and their respective camps through the 1910s and '20s, and also addresses the sexualized imagery that appears in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed factions. Jay Bochner provides an absorbing analysis of the artists' respective violations of American expectations about art." "Debating American Modernism includes reproductions of work by artists from both factions, from Arthur Dove, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley, as well as by a group who melded the concerns of each, among them, Charles Demuth, Charles Sheeler, John Storrs, and Stuart Davis."--BOOK JACKET.