| Galerie Thaddaeus Ropac

54,000원  | 20230905  | 9782910055936

Salle's new allegorical painting cycle identifies the tree as an image of collective experience Pictures Generation painter, printmaker, photographer and stage designer David Salle (born 1952) began painting his Tree of Life series in 2019. These compositions are structured around brightly colored trees that simultaneously conceal and compose the scene unfolding behind them.

Pagel, David, Sultan, Terrie (INT), Heilmann, Mary (CON)  | Prestel Pub

0원  | 20160908  | 9783791355153

From Los Angeles to Long Island, the creative journeys of painters, colleagues and friends Ross Bleckner, Eric Fischl and David Salle are the focus of this book that charts their careers and reflects on what is to come.

Salle, David  | W. W. Norton & Company

25,810원  | 20180116  | 9780393354966

“If John Berger’s Ways of Seeing is a classic of art criticism, looking at the ‘what’ of art, then David Salle’s How to See is the artist’s reply, a brilliant series of reflections on how artists think when they make their work. The ‘how’ of art has perhaps never been better explored.” ―Salman Rushdie How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle’s incisive essay collection illuminates these questions by exploring the work of influential twentieth-century artists. Engaging with a wide range of Salle’s friends and contemporaries―from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others―How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres. Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result: a master class on how to see with an artist’s eye. 30 illustrations

Salle, David  | W W Norton & Co Inc

0원  | 20161018  | 9780393248135

A master class in contemporary art by one of the preeminent painters of our time. How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle’s incisive essay collection illuminates the work of many of the most influential artists of the twentieth century. Engaging with a wide range of Salle’s friends and contemporaries?from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others?How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres. Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result: a master class on how to see with an artist’s eye.

Katz, Alex, Reinhart, Charles L., Salle, David  | Rizzoli

57,000원  | 20220816  | 9780847871469

Alex Katz's long-standing fascination with dance and collaborations with renowned playwrights and choreographers yielded some of his most complex compositions. Since Alex Katz first painted the Paul Taylor in 1959, he has invited dancers to model for him. Dance, according to the artist, belongs to the same “long tradition of gestures” as painting. This publication is the first to examine the many decades of Katz’s work for the stage, including the ways that he introduced tenets of postwar painting into theater and dance aesthetics. “I’d never seen anything like it,” Katz recalls of his first encounter with the work of dancer and choreographer Paul Taylor. The two partnered on fifteen productions for which Katz innovated with flat lighting, humorous obstacles, and framing mechanisms. His involvement with Paul Taylor led to collaborations with other companies including Yoshiko Chuma, Laura Dean, William Dunas, and Parsons. Among Katz’s most celebrated sets is the ensemble of cutouts he created for Kenneth Koch’s 1961 production, George Washington Crossing the Delaware. Katz heightened the absurdity of the Revolutionary War-inspired play with Pop-adjacent figures and props. This publication brings together paintings, sketches, costumes, photographs, film stills, and ephemera. Newly-commissioned essays, unpublished materials, and major paintings will provide an overview of Katz's working relationships with individual choreographers and shed new light on avant-garde collaborations in New York between the 1960s and 80s.

Hopper, Dennis, Schmelling, Michael, Salle, David  | Damiani Editore

71,670원  | 20190917  | 9788862086431

The innovative teaching materials contained in this box have been designed and created following the principles of the Montessori method. They have been designed to be used by children on their own; no help is required from the adult who can simply observe their child as they enthusiastically discover the world.