| Read Books

29,780원  | 20130109  | 9781447475675

This is the complete musical score for Robert Schumann's 1840 composition for voice and piano in twelve movements, “Liederkreis, Op.24”. Featuring large, clear note heads and wide margins, this edition is perfect for studying and following the music. Robert Schumann (1810 ? 1856) was a seminal German composer and esteemed music critic. When his piano teacher assured him that the could be the most accomplished piano virtuoso in Europe, he dedicated his energies to this end.

 | Classic Music Collection

31,640원  | 20181214  | 9781528707343

This vintage book contains Charles V. Stanford's "The Revenge, Op. 26", a musical composition for chorus and orchestra set to the words of Alfred, Lord Tennyson's poem of the same name. Alfred, Lord Tennyson (1809 - 1892) was a British poet who remains one of the most famous and popular. During the Victorian Era he was Poet Laureate of Great Britain and Ireland. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music.

 | Masterson Press

29,780원  | 20120124  | 9781447440499

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

 | Serenissima Music

55,780원  | 20091116  | 9781932419962

Berlioz' operatic masterpiece is now performed regularly in concert halls worldwide, despite the poor reception received at it Paris premiere in 1846. This is a new, digitally-enhanced, corrected reprint of the score originally issued in 1911 by Costallat & Cie., Paris.

 | Serenissima Music

74,400원  | 20090716  | 9781932419955

Berlioz composed his tremendous "Legende dramatique" in 1845-46, largely creating his own libretto after Gerard de Nerval's French translation of the famous Faust story by Goethe. The composer produced the dramatic oratorio at his own expense for the premiere on December 6, 1846 at Paris' Opera-Comique. Despite critical acclaim, the performance was not well-attended - a major financial setback for the composer.