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9781941366417

Kim Tschang-Yeul

Tschang-Yeul, Kim, Yau, John, Chung, Yeon Shim  | Gregory R. Miller & Company
74,300원  | 20220913  | 9781941366417
From psychedelic abstraction to paintings of water droplets: essential insight into one of Korea’s most celebrated painters Internationally acclaimed painter Kim Tschang-Yeul (1929 2021) spent most of his career in Paris after having fled his North Korean home during wartime. There his painting throughout the 1960s spanned diverse modes of abstraction, minimalism and photorealism, before the artist ultimately settled on the single motif that he would pursue for the rest of his life: the drop of water. As Kim explained, “the act of painting water drops is to dissolve all things within [these], to return to a transparent state of ‘nothingness.’” This landmark monograph, produced with the artist’s close involvement, collects works from throughout Kim’s long career. Beginning with his early biomorphic, psychedelic abstractions of the 1960s, up through his masterful photorealistic “water droplet” paintings as recently as 2017, this is the definitive presentation of Kim’s work. A detailed chronology tracks developments in the artist’s life and practice, alongside historical photographs, notes and sketches, and studio views.
9781941366769

The Making of Modern Korean Art: The Letters of Kim Tschang-Yeul, Kim Whanki, Lee Ufan, and Park Seo-Bo, 1961-1982 (The Letters of Kim Tschang-Yeul, Kim Whanki, Lee Ufan, and Park Seo-Bo, 1961-1982)

Tschang-Yeul, Kim, Chong, Doryun, Chung, Yeon Shim  | Gregory R. Miller & Company
82,450원  | 20250902  | 9781941366769
Tracing the correspondence and careers of four artists blazing a path for Korean modern art across the globe Published with Tina Kim Gallery. From the birth of Korean Informal to the emergence of Dansaekhwa, this book is the first comprehensive survey of modern Korean abstraction through the lives of four protagonists: Kim Tschang-Yeul (1929-2021), Kim Whanki (1913-74), Lee Ufan (born 1936) and Park Seo-Bo (1931-2023). These four artists strove for "international contemporaneity" in four different cities: Seoul, Tokyo, Paris and New York. This landmark volume foregrounds the personal correspondences between these pioneering artists as critical documents charting the development of modern Korean art. Newly translated, previously unpublished letters are reproduced here alongside groundbreaking artworks, offering an unprecedented window into the artistic, philosophical and logistical challenges of forging a distinctly Korean modernism.
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