Narrating Class in American Fiction (Hardcover)

Whitman's 1855 Leaves of Grass: 'Hard Work and Blood' Class and the Performative in Rebecca Harding Davis's Life in the Iron Mills and Steven Crane's Maggie Body Tramping, Class and Masculine Extremes: Jack London's The People of the Abyss 'Always Your Heart': Class Designs in Jean Toomer's Cane Meridel Le Sueur's Salute to Spring: 'A Movement Up Which All Are Moving' Class, Work and New Races: Zora Neale Hurston's Their Eyes Were Watching God and Agnes Smedley's Daughter of Earth Class 'Truths' in James Agee's Let Us Now Praise Famous Men