Polychrome Art in the Early Modern World : 1200–1800 (Hardcover)

List of Figures?

List of Contributors

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Introduction?

Part 1: Pigments, Color, and the Paragone?

Chapter 1:??“The color to imitate a man”: On the Meaning of Flesh Tones on Panel Paintings from Antiquity to the High Middle Ages?

Esther Wipfler

Chapter 2:?The colors of the Virgin: Romanesque polychrome wood sculptures in Italy and a question about azurite?

Grazia Maria Fachechi

Chapter 3:?Naming blue pigments and colors in Medieval Catalonia: the case of Lluis Borrassa?

Cristina Morilla

Chapter 4:?Spanish polychromed sculpture in the Low Countries. A journey through art history and techniques?

Geraldine Patigny

Chapter 5: Pacheco’s Art of Painting: the parangon and the techniques of Spanish seventeenth-century polychrome?sculpture?

Ilenia Colon Mendoza

Part 2: Sculptures in Context?

Chapter 6:?Statue Painting in Colonial Andes: ‘Indian’ Virgins and Resacralization of the Religious Landscape?

Mariana Zinni

Chapter 7:?Worms Cannot Eat Stone: The Pugliese Presepe and the Materiality of Devotion?

in Early Modern Puglia?

Lindsay Sheedy

Chapter 8:?Faith, spectacle and the polychromed processional figures of Luis Antonio de los Arcos and Luisa Roldan?

Catherine Hall-van den Elsen

Chapter 9:?Patrons, Sculptors, and Painters in Eighteenth-Century Spain: Polychroming Duque Cornejo’s Sculptures?

Manuel Garcia Luque

Chapter 10:?More than Wood: Sculpture and Blasphemy in Seventeenth-Century New Spain?

Brett Lazer

Chapter 11:?The Retablos of Mani: The Convergence of Maya and Spanish Art?

?C. Cody Barteet

Chapter 12:?Artists, techniques, and sacred materials: revisiting the case of the Christ of Ixmiquilpan?

Pablo F. Amador Marrero and Patricia Diaz Cayeros

Index?