The Routledge Companion to Media and Tourism (Paperback, 1)

1. Introduction: In the juncture of media convergence and tourism ? towards a research agenda. Part I - Critical and conceptual entrance points to the field. 2. Invited contribution - The Janus face of transmedia tourism: Towards a logistical turn in media and tourism studies. 3. Invited contribution - Mind the gap: Interdisciplinary approaches to media and tourism. 4. Theme Parks ? Where media and tourism converge. 5. Cinematic tourism in a time of media convergence: A spatial framework. 6. What do Melania Trump tourism and Dracula tourism have in common? ‘Othering’ in the Western media discourse. 7. Confronting the gaze, gripping the virtual: A cultural materialist perspective on cinema-tourism studies. 8. Promoting cultural heritage in a post-digital context: A speculative future for the online archive 9. Physical digital labour and the commoditisation of cultural Sites: Mediatising tourism through social mapping. Part II - Mediatized places and spaces. 10. Football tourism and the sounds of televised matches. 11. Pop idols, mediatized places, and identity-oriented performances of fans as domestic tourists in Japan. 12. Do you feel the warmth? The online destination image of Southeast Asia. 13. Tourism and popcorns: The role of feature films in branding and marketing destination New Zealand 14. Official destination websites: A place’s showcase to the world. 15. Doing as directed: Analysing representations of travel in contemporary Bollywood cinema. 16. Representation of food and tourism in legacy media: rediscovering the roots. 17. Liminality and the stranger: Understanding tourists and their landscapes through True Detective. Part III - Circle of representation. 18. Co-creation constrained: Exploring gazes of the destination on Instagram. 19. Representations of a Green Ireland: a case study of global franchises Star Wars and Game of Thrones. 20. Representation of the UAE as a touristic destination in Nat Geo Abu Dhabi: An analytical study. 21. Rewriting history, revitalizing heritage: Heritage-based contents tourism in the Asia-Pacific region. 22. Challenges of film-induced tourism in Croatia: From Winnetou to Game of Thrones. 23. Beaten tracks: belatedness and anti-tourism in guidebooks. 24. Film tourism and a changing cultural landscape for New Zealand: The influence of Pavlova westerns. 25. Tourists’ place-making performances through music. 26. Tourists’ filmic representations on YouTube: A case study analysis of two mediatised visits to the Mursi in Ethiopia. Part IV - Tourists as media producers. 27. Star gazing: The nexus and disparity between the media, tourism, and cultural heritage in Ireland. 28. Commemorating popular media heritage: From shrines of fandom to sites of memory. 29. Media tourism, culinary cultures, and embodied fan experience: Visiting Hannibal’s Florence. 30. Scene hunting for anime locations: Otaku tourism in Cool Japan. 31. Behind-the-(museum)scenes: Fan-curated exhibitions as tourist attractions. 32. Creative fandoms and the mediatized sacred sites. 33. I came, I saw, I selfied: Travelling in the age of Instagram. 34. The mediatization of Sherlock Holmes: Autoethnographic observations on literary and film tourism. 35. Cultural intimacy of fans/travellers: popular culture and the politics of classification. Part V - Transmedia tourism. The role of stories in travel posts to social media. 37. Evaluating multiple portrayals of destination image: Assessing, categorising, and authenticating visuals on Facebook posted by national tourism organisations. 38. The digital tourist bureau: Challenges and opportunities when transferring to a digital value creation. 39. Tourist information search in the age of mediatization. 40. Towards sustainable nautical tourism - exploring transmedia storytelling. 41. The nexus between tourism heritage attraction, media and fashion. 42. Online and on tour: the smartphone effect in transmedia contexts. 43. Smartphone as the invisible backpack: The impact of smartphone on Chinese backpackers’ mobility pattern. 44. Afterword - Participatory placemakers: socio-spatial orderings along the nexus of tourism and media