Remaking the Readymade : Duchamp, Man Ray, and the Conundrum of the Replica (Paperback)

Table of Contents List of Illustrations Acknowledgements Introduction PART I Replication in the 20th Century and the Galleria Schwarz Chapter 1 Replication: Motivations, Terms, and Issues Replication: Terms and Definitions Replication: Why and When?Multiples of the 1950s and 1960s: New Initiatives of Artists and DealersThe Replica's Aura: Legal and Theoretical Questions Chapter 2 Galleria Schwarz Arturo Schwarz: From Alexandria to Milan The Libreria-Galleria Schwarz Views on Dada and SurrealismSchwarz, Breton, and TrotskyJudaism, Kabbalah, and AlchemyCollection and Donation PART II Replication in the Oeuvre of Duchamp and Man Ray Chapter 3 Duchamp: "Not an Original in the Conventional Sense" Duchamp and the ReadymadeDuchamp and ReplicationDuchamp Replicators 1950-1966 Chapter 4 Man Ray: Objects to Multiples Multiform Man RayExhibitions and Reputation"Objects of My Affection"Duchamp-Man Ray Creative ExchangeReplication of Man Ray’s Objects Pre-Schwarz PART II Commissioning and Making of the Editioned ReplicasChapter 5 Mirrorical Return: Marcel Duchamp's Editioned Readymades Arturo Schwarz: The Complete Works of Marcel DuchampInitial Joint Projects: The Erotic Objects Exhibitions at Galleria Schwarz and Commissioning of ReplicasReplication ProcessCase by Case Analysis of the 1964-65 Editions Chapter 6 The "Indestructible" Man Ray Man Ray and Schwarz: The Rigour of ImaginationExhibitions at Galleria Schwarz and Commissioning of ReplicasReplication Process: Case by CaseOther Editors of Man Ray’s Objects Chapter 7 Reception of the Editioned Replicas Duchamp: The Value of the Readymade and its ReplicasCritical Reception of the 1964 EditionsImpact on Artists and ScholarshipArt Market History and Museum Purchasing Policies Conclusion Bibliography I Unpublished CorrespondenceII InterviewsIII GeneralIV Publications by Arturo Schwarz Appendix A Marcel Duchamp ? original to replica tables B Man Ray ? original to replica tables