Theatre and Internationalization : Perspectives from Australia, Germany, and Beyond (Paperback)

Section 1: Introduction 1. Theatre(s) and Internationalization(s) Ulrike Garde and John R Severn Section 2: Theatre and Internationalization: Snapshots from the Twentieth Century to Today 2. 1930s Jazz Operettas and Internationalization Then and Now: Risks, Ethics, Aesthetics John R Severn 3. Visualizing the Entrepreneurial Networks of International Entertainment: The Dalrays Touring Beyond the Tivoli, 1956-66 Jonathan Bollen 4. Localizing Aboriginal and Pacific Performance on Internationalized Stages, 1967-73 Amanda Harris 5. Collaborative Creation across Borders and Art Forms: A Director’s Perspective on Opera and Internationalization Sally Blackwood Section 3: Language and Text in Theatre and Internationalization 6. Negotiating Unfamiliar Languages and Accents in Contemporary Theatre Ulrike Garde 7. Dramaturgical Oper(a N)ations: De-internationalization in Twenty-First Century American and German-language Libretti Amy Stebbins 8. Criticizing Globalization in a Theatre of Internationalization?: Concepts of Theatrical Space between Dissolution and Demarcation in Falk Richter’s Electronic City (2003) and Safe Places (2016) Felix Lempp Section 4: Internationalization in Contemporary Theatre 9. Internationalization and Contemporary German-speaking Theatremakers and Playwrights Johannes Birgfeld 10. Who’s Watching? Neo-realism and Global Brand Ibsen in Germany and Australia Margaret Hamilton Section 5: Internationalization, Performers, Audiences, Institutions 11. Migration and Theatre in Berlin: The Maxim Gorki Theater and the Komische Oper Berlin Brangwen Stone 12. Young Artists, International Markets: Legitimizing Myths and Institutional Strategies Benjamin Hoesch 13. International Percolations of Disability Aesthetics in Dance and Theatre Christiane Czymoch, Kate Maguire-Rosier, and Yvonne Schmidt