Live Architecture : Venues, Stages and Arenas for Popular Music (Hardcover)

1. Foreword  2. Introduction  3. Adopted Spaces  3.1. 100 Club, London, UK, 1942  3.2. Birdland, New York, USA, 1949?1999  3.3. Ryman Auditorium, Nashville, USA, Hart Freeland Roberts, 1994  4. Adapted Spaces  4.1. HighLine Ballroom, New York, USA, Bluarch, 2007  4.2. VIP, Saint-Nazaire, France, LIN, 2007  4.3. O2 Arena, London, UK, Populous, 2007  4.4. O2 Arena, Dublin, Populous, Ireland, 2008  4.5. Knitting Factory, Brooklyn NY, USA, HeCho Inc., 2009  5. Dedicated Spaces  5.1. Grand Ole Opry, Nashville, USA, Welton Becket Assoc., 1974  5.2. The Cavern Club, Liverpool, UK, David Backhouse Architects, 1984  5.3. Colosseum, Caesar’s Palace, Las Vegas, USA, Sceno Plus, 2003  5.4. The Joint by Rogue, Las Vegas, USA, Sceno Plus, 2007  5.5. Liverpool Echo Arena, UK, Wilkinson Eyre, 2007  5.6. Sun Valley Music Pavilion, Idaho, USA, FTL, 2008  5.7. De Vorstin, Hilversum, Netherlands, Cie Arkitekten, 2010  6. Mobile Spaces  6.1. Valhalla, Rudi Enos, 2000  6.2. Rolling Stones Stage Set, ‘A Bigger Bang’, StuFish, 2005  6.3. Martina McBride Stage Sets, Studio 10A 2006?10  6.4. U2 360˚ Stage Set, Mark Fisher, StuFish, 2009?11  6.5. Glastonbury Festival, Pilton, Somerset, UK, 1971?2010