Political and Protest Theatre after 9/11 : Patriotic Dissent (Paperback)

Editor's Introduction  Part I: Mainstages  1. The 2003-04 Season and Broadway Musical Theatre as a Political Conversant, Stacy Wolf  2. The Ubiquitous Orange Jumpsuit: Staging Iconic Images and the Production of the Commons, Joshua Abrams  3. America as Rogue State: Caryl Churchill’s Drunk Enough to Say I Love You? Amelia Howe Kritzer  4. Terrorized by the War on Terror: Mark Ravenhill’s Shoot/ Get Treasure/ Repeat, Jenny Spencer  5. Unraveling the "Golden Thread": Performing the Politics of Black Watch, Marcia Blumberg  6. Voices of the Other: Documentary and Oral History Performance in Post-9/11 British Theatre, Ryan Claycomb  7. Antiwar Activism and the Structures of Trauma in the Plays of Eve Ensler and Kathryn Blume, Emily Klein  Part II: Alternative Spaces  8. Culture Project’s Iraq War Plays, Jeanne Colleran  9. Descent as Dissent: Arab American Theatrical Responses to 9/11, Dalia Basiouny  10. A View of The Brig: From the Cage to the Street, Katy Ryan  11. Camping on the Streets, Squares and Wastelands Of Power: Theatrical Protest and the ‘War On Terror’ in the UK, Jenny Hughes  12. Patriot Acts: All-American Tactical Performance in the Age of Permawar, L.M. Bogad  13. Performing Citizenship: The Concert for New York City and the Construction of post-9/11 America, Jennifer L. Chan  14. The Maladapted Hothead Paisan: A Lesbian Comedy of Terrors, Sara Warner