Film, History and Cultural Citizenship : Sites of Production (Hardcover)

Film, History, and Cultural Citizenship: An Introduction  Section 1: Producing National and Transnational Imaginaries  1. Negotiating Mobile Subjectivities: Costume Play, Landscape, and Belonging in the Colonial Road Movies of Shimizu Hiroshi  2. Moore’s Utopia: Canada in the Cinematic Imagination of Michael Moore  3. Seeing Beneath the Veil: Saira Shah and the Problems of Documentary  4. Textual Communities and Localized Practices of Film in Maoist China  5. Transnational Communities of Affinity: Patricio Guzman’s The Pinochet Case  Section 2: Historical Feeling in the Sites of Production  6. Moving Intimacy: The Betrayals of a Mother called "Yesterday," a Child called "Beauty" and a Father called John Khumalo  7. Queer Grit: Jane West Rides Through the Violence of the Hollywood Western  8. Violence, Gender, and Community in Atanarjuat  9. Memory, Affect, and Personal Modernity: Now, Voyager and the Second World War  Section 3: The Culture of Film and the Production of History  10. Alterity, Activism, and the Articulation of Gendered Cinemascapes in Canadian Indian Country  11. The Battle of Algiers: Pentagon Edition  12. Jacob the Liar and Historical Truth in Berlin and Hollywood  13. Abderrahmane Sissako: Les Lieux Provisoires of Transnational Cinema