Harmony and Voice Leading (International Edition 4th Edition, Paperback)

Part I: THE PRIMARY MATERIALS AND PROCEDURES.
1. Key, Scales, and Modes.
2. Intervals.
3. Rhythm and Meter.
4. Triads and Seventh Chords.
5. Introduction to Counterpoint.
6. Procedures of Four-Part Writing.
Part II: I-V-I AND ITS ELABORATIONS.
7. I, V, and V7.
8. I6, V6, VII6.
9. Inversions of V7.
10. Leading to V: IV, II, and II6.
11. The Cadential 6/4.
12. VI and IV6.
13. Supertonic and Subdominant Seventh Chords.
14. Other Uses of IV, IV6, and VI.
15. V as a Key Area.
16. III and VII.
Part III: 5/3, 6/3, AND 6/4 TECHNIQUES.
17. 5/3-Chord Techniques.
18. Diatonic Sequences.
19. 6/3-Chord Techniques.
20. 6/4-Chord Techniques.
Part IV: ELEMENTS OF FIGURATION.
21. Melodic Figuration.
22. Rhythmic Figuration.
Part V: DISSONANCE AND CHROMATICISM I.
23. Leading-Tone Seventh Chords.
24. Mixture.
25. Remaining Uses of Seventh Chords.
26. Applied V and VII.
27. Diatonic Modulation.
Part VI: DISSONANCE AND CHROMATICISM II.
28. Seventh Chords with Added Dissonance.
29. The Phrygian II (Neapolitan).
30. Augmented Sixth Chords.
31. Other Chromatic Chords.
32. Chromatic Voice-Leading Techniques.
33. Chromaticism in Larger Contexts.
Appendix I: Keyboard Progressions.
Appendix II: Score Reduction.
Appendix III: Explanatory Tables and Charts.
Index of Musical Examples.
Subject Index.