The Books That Shaped Art History : From Gombrich and Greenberg to Alpers and Krauss (Paperback)

Preface ? Introduction ? ‘Emile Male, L’art religieux du XIIIe siecle en France, 1898’ by Alexandra Gajewski ? ‘Bernard Berenson, The Drawings of the Florentine Painters, 1903’ by Carmen C. Bambach ? ‘Heinrich Wolfflin, Kunstgeschichtliche Grundbegriffe, 1915’ by David Summers ? ‘Roger Fry, Cezanne: A Study of His Development, 1927’ by Richard Verdi ? ‘Nikolaus Pevsner, Pioneers of the Modern Movement, 1936’ by Colin Amery ? ‘Alfred H. Barr, Jr., Matisse: His Art and His Public, 1951’ by John Elderfield ? ‘Erwin Panofsky, Early Netherlandish Painting: Its Origins and Character, 1953’ by Susie Nash ? ‘Kenneth Clark, The Nude: A Study of Ideal Art, 1956’ by John-Paul Stonard ? ‘E. H. Gombrich, Art and Illusion, 1960’ by Christopher S. Wood ? ‘Clement Greenberg, Art and Culture, 1961’ by Boris Groys ? ‘Francis Haskell, A Study in the Relations between Italian Art and Society in the Age of the Baroque, 1963’ by Louise Rice ? ‘Michael Baxandall, Painting and Experience in Fifteenth-Century Italy, 1972’ by Paul Hills ? ‘T. J. Clark, Image of the People: Gustave Courbet and the 1848 Revolution, 1973’ by Alastair Wright ? ‘Svetlana Alpers, The Art of Describing: Dutch Art in the Seventeenth Century, 1983’ by Mariet Westermann ? ‘Rosalind Krauss, The Originality of the Avant-Garde and Other Modernist Myths, 1985’ by Anna Lovatt ? ‘Hans Belting, Bild und Kult, 1990’ by Jeffrey Hamburger ? Notes ? Bibliographical essays ? Author Biographies