Closely Watched Films (Hardcover)

List of Illustrations
Acknowledgments
Introduction

1. The Beginnings of Film Narrative: D.W. Griffith’s The Birth of a Nation
2. The Art of Montage: Sergei Eisenstein’s The Battleship Potemkin
3. Expressionism and Realism in Film Form: F.W. Murnau’s The Last Laugh and Charles Chaplin’s The Adventurer
4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks’s His Girl Friday
5. Expressive Realism: Orson Welles’s Citizen Kane
6. Italian Neorealism: Vittorio De Sica’s The Bicycle Thief
7. Auteur Theory and the French New Wave: Francois Truffaut’s The 400 Blows
8. Hollywood Auteur: Alfred Hitchcock’s Notorious
9. The European Art Film: Federico Fellini’s 8 1/2
10. Film and Postmodernism: Woody Allen’s Annie Hall
11. Political Cinema: Spike Lee’s Do the Right Thing
12. Feminism and Film Form: Patricia Rozema’s I’ve Heard the Mermaids Singing
13. Epilogue: Digital Video and New Forms of Narrative in Mike Figgis’s Timecode

Notes
Glossary
Bibliography
Index

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