Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV (Paperback)

Acknowledgments
Introduction: Media Capital in Chinese Film and Television

1. The Pan-Chinese Studio System and Capitalist Paternalism
2. Independent Studios and the Golden Age of Hong Kong Cinema
3. Hyperproduction Erodes Overseas Circulation
4. Hollywood Takes Charge in Taiwan
5. The Globalization of Hong Kong Television
6. Strange Bedfellows in Cross-Strait Drama Production
7. Market Niches and Expanding Aspirations in Taiwan
8. Singapore: From State Paternalism to Regional Media Hub
9. Reterritorializing Star TV in the PRC
10. Globe Satellites Pursuing Local Audiences and Panregional Efficiencies
11. The Promise of Broadband and the Problem of Content
12. From Movies to Multimedia: Connecting Infrastructure and Content

Conclusion: Structural Adjustment and the Future of Chinese Media
Industry Interviews
Notes
Bibliography
Index

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