Jazz Matters: Sound, Place, and Time Since Bebop (Paperback)

List of Illustrations
Introduction

Part I. Sound and Time

1. Being (and Becoming) John Coltrane: Listening for Jazz “Subjectivity”
2. Musicology beyond the Score and the Performance: Making Sense of the Creak on Miles Davis’s “Old Folks”
3. Sex Mob and the Carnivalesque in Postwar Jazz

Part II. Place and Time

4. Race, Place, and Nostalgia after the Counterculture: Keith Jarrett and Pat Metheny on ECM
5. Rethinking Jazz Education
6. Negotiating National Identity among American Jazz Musicians in Paris

Acknowledgments
Appendix 1. Sample of American Jazz Musicians Born Since 1950 Who Studied Jazz at the College Level
Appendix 2. Interview Locations and Dates
Notes
Index

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