Russian Music at Home and Abroad: New Essays (Paperback)

Preface
Introduction: My Wonderful World; or, Dismembering the Triad

PART ONE: NOT BY MIND?
1. Non-Nationalists, and Other Nationalists
2. Revenants
3. Crowd, Mob, and Nation in Boris Godunov: What Did Musorgsky Think, and Does It Matter?
4. Catching Up with Rimsky-Korsakov
5. Not Modern and Loving It
6. Written for Elephants: Notes on Rach 3
7. Is There a “Russia Abroad” in Music?
8. Turania Revisited, with Lourié My Guide
9. The Ghetto and the Imperium
10. Two Serendipities: Keynoting a Conference, “Music and Power”
11. What’s an Awful Song Like You Doing in a Nice Piece Like This? The Finale in Prokofieff’s Symphony-Concerto, Op. 125
12. The Birth of Contemporary Russia out of the Spirit of Music (Not)

PART TWO: REVISITING STRAVINSKY

13. Just How Russian Was Stravinsky?
14. How The Rite Became Possible
15. Diaghilev without Stravinsky? Stravinsky without Diaghilev?
16. Resisting The Rite
17. Stravinsky’s Poetics and Russian Music
18. Did He Mean It?
19. In Stravinsky’s Songs, the True Man, No Ghostwriters
20. “Un Cadeau Très Macabre”

Index

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