Isamu Noguchi's Modernism: Negotiating Race, Labor, and Nation, 1930-1950 (Paperback)

Acknowledgments

Introduction

Part 1. Labor
1. Earthworks, the Depression Economy, and Monument to the Plow
2. Modernism, Public Art, and Sculpture as Social Practice in the 1930s
3. Reinventing Labor in New York

Part 2. Race
4. Negotiating Japanese American Confinement
5. Reimagining Humanity in the 1940s
6. Noguchi, Asian America, and Artistic Identity in Postwar New York
Postscript: Beginnings and Ends at the Venice Biennale

Appendix A. Noguchi’s “A Plan for Government Sponsored Farm and Craft Settlement for People of Japanese Parentage”
Appendix B. Noguchi’s “I Become a Nisei”

Notes
Selected Bibliography
List of Illustrations
Index

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