Hollywood Theory, Non-Hollywood Practice : Cinema Soundtracks in the 1980s and 1990s (Hardcover)

Contents: Introduction; Classical Hollywood cinema and scoring; New Hollywood cinema and ('post'-?) classical scoring; Alternatives to classical Hollywood scoring; 'What is the role of the quartet?': the soundtrack to Jean-Luc Godard's Prenom: Carmen; Playing in Jarman's Garden: sound, performance and images of persecution; Music to desire by: the soundtrack to Wim Wenders's Der Himmel A¼ber Berlin; 'People call me a director, but I really think of myself as a sound-man': David Lynch's Wild at Heart; Epilogue; Bibliography; Discography; Index.