The Making of Modern Greece : Nationalism, Romanticism, and the Uses of the Past (1797–1896) (Hardcover)

Contents: Introduction, Roderick Beaton; Part I Nationalisms Compared: the View from the Early 21st Century: Paradigm nation: the study of nationalism and the 'canonization' of Greece, Paschalis M. Kitromilides; What the Greek model can, and cannot, do for the modern state: the German perspective, Suzanne Marchand; Modern nations and ancient models: Italy and Greece compared, Henrik Mouritsen. Part II Towards a National History: Greek and Western Perspectives: European historiographical influences upon the young Konstantinos Paparrigopoulos, Ioannis Koubourlis; Europe, the classical polis, and the Greek nation: Philhellenism and Hellenism in 19th-century Britain, Margarita Miliori. Part III Defining Identity (1): Religion and the Nation State: From resurrection to insurrection: 'sacred' myths, motifs, and symbols in the Greek war of independence, Marios Hatzopoulos; Revisiting religion and nationalism in 19th-century Greece, Effi Gazi. Part IV Defining Identity (2): Insiders vs. Outsiders: The notion of nation: the emergence of a national ideal in the narratives of 'inside' and 'outside' Greeks in the 19th century, Yanna Delivoria; From privileged outcasts to power players: the 'romantic' redefinition of the Hellenic nation in the mid-19th century, Socrates D. Petmezas; Model nation and caricature state: competing Greek perspectives on the Balkans and Hellas (1797-1896), Basil C. Gounaris. Part V The Colonial Experience: Politics and Society in the Ionian Islands: Radical nationalism in the British protectorate of the Ionian islands (1815-1864), Eleni Calligas; Class and national identities in the Ionian islands under British rule, Athanasios Gekas. Part VI Language and National Identity: A language in the image of the nation: modern Greek and some parallel cases, Peter Mackridge; The language question and the diaspora, Karen van Dyke. Part VII The Nation in the Literary Imagination: The nation between utopia and art: canonizing Dionysios Solomos as the 'nationa