Where Social Identities Converge: Latin American and Latinx Youth on Screen (Hardcover)

Introduction
Chapter 1: Audacity, Intelligence, and Indigenous Connections in Patricia Arriaga‑JordÁn’s Juana InÉs (2016)
Chapter 2: Gender, Class, Sexuality, and Ethnicity in Aurora Guerrero’s Mosquita y Mari (2012) and Viviana Cordero’s No robarÁs…a menos que sea necesario (2013)
Chapter 3: Intersectional Subjectivity in Gabriela David’s La mosca en la ceniza
Chapter 4: Indigeneity and the Rural/Urban Continuum in Claudia Llosa’s Madeinusa (2005) and La teta asustada (2009) and Itandehui Jansen’s Tiempo de lluvia (2018)
Chapter 5: Intersectionality and Inter‑Nationality in Kaori Flores Yonekura’s Nikkei: Un viaje extraordinario (2014) and Cecilia Kang’s Mi Último fracaso (2016)
Conclusion
Notes
Bibliography
Index