The Routledge Handbook of Ecomedia Studies (Paperback, 1)

Introduction

1 When Do Media Become Ecomedia?

2 Three Ecologies: Ecomediality as Ontology

3 Meaning, Matter, Ecomedia

4 Blue Media Ecologies: Swimming through the Mediascape with Sir David Attenborough

5 Political and Apolitical Ecologies of Digital Media

6 Centering Africa in Ecomedia Studies: Interview with Cajetan Iheka

7 Ecomedia and Empire in the US?Mexico Borderlands, 1880?1912

8 Spatial Documentary Studies, El Mar La Mar, and Elemental Media Remediated

9 Ecomedia Literacy: Bringing Ecomedia Studies into the Classroom

10 Disaggregated Footprints: An Infrastructural Literacy Approach to the Sustainable Internet

11 Collapse Informatics and the Environmental Impact of Information and Communication Technologies

12 Electronic Environmentalism: Monitoring and Making Ecological Crises

13 Radiant Energy and Media Infrastructures of the South

14 Micro/Climates of Play: On the Thermal Contexts of Games

15 Relational Ecologies of the Gramophone Disc

16 Core Dump: The Global Aesthetics and Politics of E-Waste

17 Carbon Capitalism, Communication, and Artificial Intelligence: Placing the Climate Emergency Center Stage

18 Environmental Media Management: Overcoming the Responsibility Deficit

19 Property Rights Control in the Data-Driven Economy: The Media Ecology of Blockchain Registries

20 Common Pool Resources, Communication, and the Global Media Commons

21 #NOLNG253! Media Use in Modern Environmental Justice Movements

22 Contesting Digital Colonial Power: Indigenous Australian Sovereignty and Self-Determination in Digital Worlds

23 Who Makes Our Smartphones? Four Moments in Their Lifecycle

24 Media and Ecocultural Identity

25 Eco-Territorial Media Practices: Defending Bodies, Territories, and Life Itself in Latin America

26 Mapping for Accountability: Decolonizing Land Acknowledgment Initiatives

27 Black Media Philosophy and Visual Ecologies: A Conversation between Armond Towns and Jeremy Kamal

28 On the Ecological Futurabilities of Experimental Film Labs

29 Popular Music: Folk and Folk Rock as Green Cultural Production

30 Women in the Global Pandemic Media Imagination: Mimetic Desire, Scapegoating Buddhist Hermeneutic, and Beyond

31 Ecomentia, from Televised Catastrophe to Performative Assembly: Collapsonaut Attention in a House on Fire

32 Feeling Wild: The Mediation of Embodied Experience

33 Social Realism and Environmental Crisis: Clio Barnard’s Dark River

34 Ecopolitical Satire in the Global North

35 Fear and Loathing in Ecomedia: Channeling Fear through Horror Tropes in Invasive Species Outreach

36 Slow Media, Eco-Mindfulness, and the Lifeworld