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· 분류 : 외국도서 > 예술/대중문화 > 연극 > 일반
· ISBN : 9781032138992
· 쪽수 : 590쪽
· 출판일 : 2025-11-26
목차
List of Contributors
Acknowledgements
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Introduction
Paul Johnson, Simon Parry and Adele Senior
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PART I
Histories of Science and Performance
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Chapter 1. Performing Science in Early Modern England: Experimental Entertainment and its Audiences
Mark Thomas Young
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Chapter 2. Dramatic representations of the astrologer on the verge of modern science
Mario Montenegro
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Chapter 3. Samuel Pepys’ Traumatic Autopsia
Kara Reilly
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Chapter 4. Artists with differentiated bodies in performing arts
Felipe Henrique Monteiro Oliveira
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Chapter 5. The brigands of medicine: charlatanry, sexuality and medical demonstration in late nineteenth century France
Jonathan W. Marshall
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Chapter 6. Physique Amusante: Optics, Mechanics, Anatomy and Anthropology at the Fairground in Nineteenth-century Europe
Nele Wynants
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Chapter 7. All Fall Down: Fainting, Dying, and Mad Scenes on the Nineteenth-Century Stage
Elyse Singer
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Chapter 8. “The Velocity of the Stage: Physics Meets Metaphysics in Sigizmund Krzhizhanovsky’s? Theatrical Theory”
Alisa Ballard Lin
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Chapter 9. ‘Heal as well as dance’: Margaret Morris Movement and physiotherapy as performance
Clare Button
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PART II
Disciplined Performance
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Chapter 10. Computer Science and Performance: A Reintroduction
Robert Ellis Walton
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Chapter 11. ASMR ? performance and psychology of sensation in the online space
Julie Rose Bower & Giulia Poerio
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Chapter 12. Abnormal Psychology and The Case of Becky: Science and Imagination in the Performance of Dual Personality
John M. Andrick
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Chapter 13. Investigating Biological Dramaturgies: Using cancer biology as a dramaturgical tool
Diane Stubbings
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Chapter 14. The dementia science play: Balancing science with humanity in dementia-themed performance
Morgan Batch
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Chapter 15. O (Symptom): Performing in between doctor, patient and cadaver
Olivia Turner
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Chapter 16. Displacing performance mastery with ecological tools
Anthony Gritten
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Chapter 17. The Aesthetics of Mathematics in the Physical Theatre
Yael Via-Dorembus
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Chapter 18. Parameters for Understanding Uncertainty: Methodologies for Intellectual Loitering within Scientific Infrastructure & Communication
Rebecca Collins
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PART III
Performance Cultures and Science
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Chapter 19. Applying an immersive intelligent aesthetic to wildfire visualisation: Exploring terrestrial agency
Susanne Thurow, Dennis Del Favero, Jason Sharples, Khalid Moinuddin, Charles Green
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Chapter 20. Charge ? interpreting scientific research through Interdisciplinary devised practice
Sophy Smith
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Chapter 21. From Carbon-Dating to Light Theory in the Dystopic Archeology of Istanbul
Deniz Ba?ar
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Chapter 22. Whose Technology? A Sufi Love Note on Decolonizing our Historical Dances with Science and Technology Studies
Assad Assad
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Chapter 23. Blood Magic in Biotech ? a case study
WhiteFeather Hunter
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Chapter 24. The Disquieting Body in VestandPage's Performance Art: Diagnose, Cure, Heal, Perform
Andrea Pagnes
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Chapter 25. Ecosomatic practice for living and dying on a damaged planet
Olive Bieringa
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Chapter 26. Building Science Communication as a Space for Scientists: Science Comedy in the United Kingdom
Edward Thomas Bankes
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Chapter 27. Room Service as sf theatre: communicating science through sf performance
Sanja Vodovnik
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Chapter 28. No Space In Between: A Case Study of Theatrescience
Rebecca Gould and David Cottis
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PART IV
Sciences of Performance
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Chapter 29. Banishing homunculus: in-bodying imagination in acting processes
Micia de Wet
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Chapter 30. Emotion Theory and Theatre Practice: From William James to Konstantin Stanislavski
Aphrodite Evangelatou
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Chapter 31. Theatre as Science: Performing Empathy in Beatrix Cenci
Graca P. Correa
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Chapter 32. Centring the ‘subjective’ when examining performance in the field of Dance Medicine and Science
Gemma Harman
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Chapter 33. Conversations on the tensions of dance and science in an emerging research field
Frances Clarke, Naomi Lefebvre Sell, Matthew Wyon, Derrick Brown-Appenzeller
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Chapter 34. Rehearsing the Art and Science of Healing: Simulation Performance in Nursing Education
Alexander Munro
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PART V
Science, Performance and Communication
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Chapter 35. Audiences for science-theatre: valued but under-explored
Carla Almeida and Emma Weitkamp
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Chapter 36. Performing Public Health
Meghan Moe Beitiks, Marina Heron Tsaplina, Aaron Colverson, Kaitlyn Wittig Menguc, Jill Sonke, Edith Moore Hubert & Katrina Pineda
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Chapter 37. Pharmakon: An Experimental Collaboration between Performance and Pharmacy
Michael Valdez
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Chapter 38. Don’t Smile
Nigel Townsend
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Chapter 39. Taking over Authorship ? The Power of Writing Processes for another Science
Lydia Schulze Heuling & Laura Colucci-Gray
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Chapter 40. Discussing problematic legacies of science through theatre: racism, misogyny, and skull measuring in The Science of the Future
Daniel Gamito-Marques
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Chapter 41. Wild Things: Using improvised comedy to communicate and explore conservation science
Sofia Castello y Tickell & Matthew Kemp
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Chapter 42. ‘A Small Show About Big Ideas: Third Angel’s 600 People’
Simon Goodwin, Alex Kelly & Rachael Walton
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Index
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