Scottish Art in the Industrial Age, 1800-1914 : Scottish Art in the Industrial Era, 1850–1900 (Hardcover)

Volume 2

Acknowledgements

List of Illustrations

General Introduction

Volume 2 Introduction

Part 1. Art Education

1. Martin Hardie, John Pettie R.A., (London: Adam and Charles Black, 1908) pp.5-18

2.John Lavery, The Life of a Painter, (London: Cassell & Co., 1940) pp.48-53

3. “Robert Brough ? painter", The Art Journal, 1898, pp.146-148

4. Alison Mowat, (trans. and ed.), James Cadenhead RSA RSW 1858-1927: His Letters Home as a Young Man, (Glasgow: Bell & Bain Ltd., 2013), pp. 97-103

5. James Paterson, Art Student Life and Concluding part of a Lecture on Art Students in Paris MS lectures

6. “Academy Art Exhibition ? a fine display”, Perthshire Advertiser, 18 June 1900

7. Letter from Christina Stark to Fra Newbery 29^th April 1905

Part 2. Networking and Artists Colonies

8. Sidney Gilpin, Sam Bough, R. S. A.; some account of his life and works, (London: G. Bell & sons, 1905), pp.86-88

9. Letters from John Pettie with William McTaggart

10. Martin Hardie, John Pettie R.A., (London: Adam and Charles Black, 1908) pp. 4-5?

11. Edward Pinnington, “Landscape” in George Paul Chalmers RSA and the Art of His Time, (Glasgow: T. & R. Annan & Sons, 1896) pp.134-135?

12. Sir James L. Caw, Sir James Guthrie, P.R.S.A., LL.D.: A Biography, (London: Macmillan and Co., 1932) pp.21-24

13. Morley Roberts, “A Colony of Artists”, The Scottish Art Review, vol.2, no.15, August 1889, pp. 72-74

14. ?Robert Louis Stevenson, “Fontainebleau: Village Communities of Painters ? IV", The Magazine of Art, vol.VII, (London: Cassell, Petter, Galpin & Co., 1884), pp. 340-345?

15. Walter Shaw Sparrow, John Lavery and his Work (London: Kegan Paul, Trench, Trubner & Co, Ltd, 1911), pp. 43-46

16. A.S. Hartrick, ‘The Glasgow School’, in A Painters Pilgrimage through Fifty Years, (Cambridge: University Press, 1939), pp. 54-61?

17. Agnes McKay, Arthur Melville: a Scottish Impressionist 1855-1904, (Leigh-on-Sea: F. Lewis, 1951) pp.65-72?

18. Letters from Paterson and Hornel 1892

19. Letters from Bessie MacNicol to EA Hornel

Part 3. Art Institutions and Exhibition Culture

20. Opening of the Tenth Exhibition of the Glasgow Institute of the Fine Arts, 30^th January 1871, MS, Glasgow Institute of the Fine Arts Minute Book, vol.2, 1870 to 1879, pp. 16-24

21. First Annual Report of the Paisley Art Institute, constituted 1876 (Paisley: J&J Cook, Steam Printers, 1878)

22. “Paisley Art Exhibition”, Glasgow Evening News, 28 December 1888, p.2

23. “Aberdeen Artists Society ? the forthcoming exhibition”, Aberdeen Evening Express, 4 July 1885

24. George R. Halkett, “Special Exhibition of Scottish Art”, The Magazine of Art, vol.IV, (London: Cassell, Petter, Galpin & Co., 1881), pp.102-106

25. Anon., “How I became an A.R.S.A: A Chapter of Autobiography”, The Scottish Art Review, vol.2, no.18 November 1889, pp.163-166

26. George Henry, “The Royal Scottish Society of Painters in Water Colours”, The Scottish Art Review, vol.1, no.6, November 1888, pp. 153-154

27. C.P. Anstruther, “Woman’s Work in Art Industries”, The Scottish Art Review, part 1 and 2, vol.1, nos. 5 and 6, pp. 131-132, 158-159

28. “Glasgow Lady Artists”, Glasgow Evening News (11 December 1893), p.2

29. A. K. Brown, The Glasgow Art Club: A Retrospect, privately published, 1918, pp.3-18?

30. Anon, ‘The Glasgow Art Club’, Art Journal, 1886, pp. 297-299

31. Graphic Arts Association Annual Report 1891

32. “Art at the Glasgow International Exhibition. Painting”, The Scottish Art Review, vol.1, no.1, June 1888, pp. 4-6

33. Agnes McKay, Arthur Melville: A Scottish Impressionist 1855-1904, (Leigh-on-Sea: F. Lewis, 1951) pp. 73-78

34. “The Grosvenor Gallery”, Scots Observer, 24 May 1890, pp. 13-14

35. Walter Armstrong, “Current Art. The Grosvenor Gallery”, The Magazine of Art, (London: Cassell, Petter, Galpin & Co., 1890), pp. 325-328

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Part 4. Evolving Styles 1850?1900

36. John Ruskin, Lectures on Architecture and Painting, Delivered at Edinburgh in November 1853 (London: George Routledge & Sons, 1854), pp. 224-230

37. Letter fragment Robert Scott Lauder to unknown, [1853].

38. John Ballantyne, What is Pre-Raphaelitism? (Edinburgh and London: William Blackwood and Sons, 1856) pp.12-25

39. “The Thirty Eighth Exhibition of the Royal Scottish Academy”, The Daily Review, 18 February 1864

40. Iconoclast, Scottish Art and Artists in 1860, (Edinburgh: John Menzies, 1860), pp.4-9?

41. Veri Vindex (G. Reid and J.F. White), Thoughts on Art and Notes on the Exhibition of the Royal Scottish Academy of 1868, (Edinburgh 1868), pp. 22-24, 25-31

42. Sydney Hodges, “Artists’ Haunts ? Off the track in Scotland”, The Magazine of Art, (London: Cassell, Petter, Galpin & Co., 1878), pp. 209-213

43. W.M. Gilbert, “The Life and Work of Peter Graham R.A”, The Art Annual (London: H Virtue & Co., 1899), pp. 26-29

44. Edward Pinnington, “Aberdeen and Israels”, in George Paul Chalmers RSA and the Art of His Time, (Glasgow: T. & R. Annan & Sons, 1896), pp.142-144

45. P. McOmish Dott, Notes Technical and Explanatory on the Art of Mr William McTaggart as displayed in his exhibition of 32 pictures, Scottish Gallery (Edinburgh: T & A Constable, 1901), pp.1-20

46. RAM Stevenson, The Art of Velasquez (London: George Bell and Sons, 1895), pp.119-124

47. J. L. Caw, “A Phase of Scottish Art”, The Art Journal (London: J. S. Virtue & Co., 1894), pp.75-79

48. C. J. Holmes, “The Glasgow School at Knightsbridge”, The Dome, vol.3, 1899, pp.176-180

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Part 5. Scots Abroad

49. ‘The Last Work of John Phillip, R.A.’, The Art-Journal, 29 (1867), 127, p.153

50. Letter from George Reid to John Forbes White, 10 February 1869.

51. William Robertson Smith and George Reid, Notes and Sketches, (Aberdeen, 1876)

52. Agnes McKay, Arthur Melville: a Scottish Impressionist 1855-1904, (Leigh-on-Sea: F. Lewis, 1951), pp. 60-62

53. Letters between Thomas Millie Dow and Arthur Thayer

54. E. A. Hornel, “Japan”, lecture delivered on his behalf to audience at the Corporation Art Galleries, Glasgow, 1895

55. James Paterson, Impressions of Tenerife, MS lecture.

56. John Lavery, The Life of a Painter, (London: Cassell & Co., 1940), pp. 98-101

57. Fritz von Ostini, translated, “Scottish Pictures ? What the Germans think of them”, The Dundee Courier and Argus (27 September 1890), p.6

58. Charles M. Kurtz, “The Glasgow School: The Men and Their Work” Modern Art, Vol. 4, No. 2 (Spring, 1896), pp. 4-9

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Part 6. What is Scottish Art?

59. “Scottish Art and Artists”,?The Scottish Review?vol.5, (1885) pp. 205-216

60. G. Baldwin Brown, “Old and New in Art”, The Scottish Art Review, vol.1, no.3, August 1888, pp. 84-87

61. James Stanley Little, W. Q. Orchardson: his Life and Work, (London: The Art Journal, 1897), pp.1-9

62. Veri Vindex [G. Reid and J.F. White], Thoughts on Art and Notes on the Exhibition of the Royal Scottish Academy of 1868, Edinburgh 1868 pp.11-16

63. A.H. Millar, “Scottish Art”, The Art Journal, (London: JS Virtue & Co., 1880) pp. 81-82

64. Anon, “The Scottish School of Painting”, Blackwood’s Edinburgh Magazine, vol. 157, no. 853 (March 1895), pp. 338-345

65. James Paterson, Art in Scotland, dated 1876, MS lecture

66. James L. Caw, “The Present Condition of Art in Scotland”, The Art Journal, (London: J. S. Virtue & Co., 1898), pp. 45-48?

67. Anon, “Varieties ? Sir Daniel Macnee on Art”, The Leisure Hour, no.1414 (1 Feb 1879) pp.79-80

68. “Sir William Fettes Douglas P.R.S.A. and the Edinburgh School of Art ? Lady Artists”, The Scotsman, 23 January 1885, p.7 and “Letters to the Editor”, The Scotsman, 26 January 1885, p.6

69. Anon, “Art in the West of Scotland”, Scottish Art Review, volume 1, 1888, pp.146-149

70. Richard Muther, “Whistler and the Scotch Artists”, The History of Modern Painting, vol. 4, (London 1907), pp.19-44.

Illustrations

Bibliography

Index

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