Photography and Its Publics (Paperback, 1)

1. Melissa Miles, ‘Introduction: Photography and Its Publics’ Part I: Photography and the Provocation of the Public 2. Robert Hariman and John Louis Lucaites, ‘Photography and Public Culture’ Part II: Photography, Publics and Counterpublics 3. Andres Mario Zervigon, ‘Photography, Truth and the Radicalized Public Sphere in Weimar Germany’ 4. Edward Welch, ‘“Match nous a raconte une histoire”: Thinking with Roland Barthes about Photography, Publics and the Exercise of Power in Post-war France’ 5. Tom Allbeson, ‘Prehistories of Visual Activism: Photography, Counterpublics and the Campaign for Nuclear Disarmament in Post-war Britain’ Part III: Within and Beyond the National Public Sphere 6. Melissa Miles, ‘Photography, Aboriginal Rights and the 1967 Australian Referendum’ 7. Angeles Donoso Macaya, ‘A Little History of Photographic Displacements: from Chile from within (1990) to Chile desde adentro (2015)’ Part IV: Human Rights and the Ethics of Spectatorship 8. Thy Phu, ‘Afterimages of S-21: Distant and Proximate Spectatorship and the Legacies of Cold War Human Rights’ 9. Rebecca A. Adelman, ‘Hospitable Looking: Towards a Different Way of Seeing the War in Syria’ Part V: Global Media Publics 10. Paul Frosh, ‘Is Commercial Photography a Public Evil? Beyond the Critique of Stock Photography’ 11. Michele Zappavigna and Sumin Zhao, ‘Selfies and recontextualization: Still life self-imaging in social media’ Afterword 12. Edward Welch, ‘Photography’s Interdisciplinary Publics: A Tribute to Professor Andrea Noble’