Rhythm Changes : Jazz, Culture, Discourse (Paperback)

Introduction: The Persistence of Authenticity

1. The Challenge of the Past: Jazz, Parody, and Jazz Discourse

They Brainwash and Teach You Hate: From Parody to Protest

It Ain’t Necessarily So: From Caricature to Celebration

In a Sentimental Mood: From Ridicule to Romanticism

Notes

"Saying Something": Coltrane, Irony, and ‘My Favorite Things’

"White Things," Black Things, and a Few Other Things

"Undeniable Qualities": Homage, Value-For, and Ideological Hegemony

"Myriad Subtleties," Bebop Parody, and the Question of Context

"We’re in the Money": Irony, Complexity, and Social Normativity

Notes

Way Out West: From Cowhand Sonny to Dangerous Davey

Cowboy Favorites: Jazz Meets Country Music

You Are My Sunshine: From Singing Cowboys to Gassed Soulsters

Happy Endings: George Russell Meets ‘You Are My Sunshine’

Sunshine Redux: From Kiddies Songs to Kitchen Appliances

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Fun With Toys: Miles, Electricity, and Acoustic Relief

A Blazing Forth of a Divine Will: Blank Slates, Claptrap, and Emphysemic Goats

Body and Soul: Sacred Space, the State of Grace, and Everyday Ecstasy

Blessed With Genius: The Flame Itself, the Man from Porlock, and the Heavenly Ostrich

Play On, Play On: Robert Bly, the Wild Man, and the Neglected Male Psyche

Touch the Soil: Elemental Instruments, Indian Country, and the Noble Savage

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I Sing the Body Electric: Aesthetic Materialism, Technological Humanism, and Electrical Grandmothers

Spark of Being: Frankenstein, Electricity, and the Merging of Text and Form

Undervaluing Overdubbing: Jazz, Spontaneity, and Recording Studio Trickery

Essential and Divine: Faithful Fidelity, Analogue Authenticity, and "exactly what was played"

Preserving Spontaneity: Free Improvisation, Live Performance, and the Paradox of Sound Recording

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6. Can Blue Men Sing the Whites? African American Exceptionalism, European Stereotypes, and the Jazz Studies Debate

Getting To Know You: The ‘Afrological,’ the ‘Eurological,’ and the Illogical

The Anxiety of Affluence: Race, Class, and European ‘Privilege’

A Pan-European Conspiracy? Cultural Nationalism, Nativist Politics, and Foreign Competitors

The Emancipation Problem: African American Models and German Belligerents

A Delicate, Nuanced Approach? Humour, Improvisation, and Composer-Centred Music

Networks of Power: Whiteness, Erasure, and World Harmony

Postscript: Say It Loud, I’m British and I’m Proud

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