The Routledge Companion to African Diaspora Art History (Hardcover, 1)

Introduction??SECTION I?Routes and Roots of Global African Diaspora Art History??1. Stuart Hall and the Framing of Diaspora? 2. Towards a History of LGBTQ+ Contemporary African Art? 3. The Diasporic Dimensions of the Harlem Renaissance? 4. To Risk the Sovereignty of Our Own Stories? 5. Edouard Glissant and the Framing of Diaspora? 6. HERE and HERE: ASIKO and Beyond? 7. South Africa: Destination and Point of Origin? 8. From Post-Black to the Afropolitan: The Studio Museum’s ‘F-Shows’ and Discourses on Black Art? 9. African and Afrodescendant Art Production in Latin America: Research Challenges and Possibilities? 10. The Global Africa Project: Diasporic Connections, Explorations, and Interactions??SECTION II?Routes and Roots of African Diaspora Art History in Europe??11. “[T]heir own kind of light”: Black diasporic Consciousness in the Caribbean Artists Movement (1966-1972)? 12. A History of Black Diaspora Artists in Italy? 13. Indivisible or Invisible: Contemporary Artists of African Descent and French Multiculturalism? 14. A History of Black Diaspora Artists in Germany? 15. A Short History of Artists of African-descent in Scandinavia? 16. Contemporary African Art and Artists in Belgium? 17. A History of Black Diaspora Artists in Scotland? 18. A History of Black Diaspora Artists in Spain? 19. Transforming the Facade: Black American Artists at the US Pavilion of the Venice Biennale, 1930?2022? 20. East African, South Asian, British Artists??SECTION III?Hemispheric Dimensions of African Diaspora Art History??21. Cartographies of Kinship in the Caribbean Festival of Arts? 22. Where Caribbean Art Ends and Latin American Art Begins? 23. Art Biennales in Africa and the Making of African Diaspora Art History: Perspectives from the Dak’Art Biennale? 24. Visualizing Historical and Contemporary African Diasporas: A Perspective from the Dakar Biennial? 25. Drawing Cuba into African Diaspora Art History? 26. Thinking Together: The Maghreb and African Diaspora Art History? 27. Deconstructing the Archival Impulse in Contemporary Maghrebi Diasporic Praxis? 28. Absented Presence: Canadian Dimensions of African Diasporic Art History? 29. Afro-Brazilian Art in Transit: Abdias do Nascimento’s Visual-Arts Work from Rio de Janeiro to New York City? 30. Curating African/Black Atlantic Art: Dimensions in Black Art and Introspectives: Contemporary Art by Americans and Brazilians of African Descent??SECTION IV?African Diaspora Art History: Scholars at Work: Art Historians, Museum & Gallery Curators, Pedagogy, and Archives??31. Claiming space: the Caribbean’s (counter-)Curatorial Interventions? 32. X as Intersection: AfroLatinX Art? 33. Celebrations of Diaspora: The work of FESTAC ‘77? 34. Went Looking for Africa”: Carrie Mae Weems, Kehinde Wiley, and

Artistic Travels in Africa? 35. Un-doing Belonging: Mobilising African Diaspora Art in the Art History Classroom? 36. Being Seen: An Art History of the Blackness of Technology? 37. Image Made Flesh: Black Representation, Material Archives and Contemporary Desire? ?38. Edson Chagas’ Photographic Realism? 39. Glitter and Grit: Michele Pearson Clarke’s Black Queer Unreason? 40. Pedagogical Challenges, Pedagogical Approaches - Contemporary Art from Africa and its Diaspora: the analytical tools? Postscript: Diaspora Writ Large: Maria Magdalena Campos-Pons, Julie Mehretu, and Wangechi Mutu