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· 분류 : 외국도서 > 예술/대중문화 > 음악 > 일반
· ISBN : 9781032407203
· 쪽수 : 520쪽
· 출판일 : 2025-06-12
목차
List of Contributors?
List of Figures?
List of Tables?
Acknowledgments
?
Contents
Introduction: Appreciating, Understanding, and Interpreting Metal Music Composition
Lori Burns and Ciro Scotto
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Part I. Structures
1. Perspectives on Harmony in Early Heavy Metal: Chords, Modes, Functions, and Texture
Esa Lilja
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2. Recognizing Tonal Momentum and Echoes of Past Styles in Riff Turnarounds
Stephen S. Hudson
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3.What is a Riff? A Structural Definition and its Analytical Consequences for Process and Form in Heavy Metal
Ciro Scotto
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4. Mutually Exclusive Two- and Three-Part Forms in Heavy Metal Songs
Nolan Stolz
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5. Compound Bridge Sections in Rock and Metal
Michael Dekovich
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6. Unfulfilled Expectations: Theorizing on Terminally Anti-Climactic Form
Zach Simonds
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7. Conceived Through an Act of Catharsis: The Phenomenological Allure of the Breakdown
Owen Morawitz
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8. More than Moshing: Structure, Convention, and Innovation in Extreme Metal Breakdowns
John Muniz
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9. Half-Time, Standard-Time, and Double-Time Feels in 1980s Crossover Thrash
David Easley?
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10. Systematic Onslaught: The Aesthetics and Functions of Blast Beats in Contemporary Extreme Metal
Dennis William Lee
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11. Blackened Textures: Black Metal’s Sonic Complexity During the Second and Third Waves
Wolf-Georg Zaddach
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Part II. Expressions and Techniques: Instruments
12. Traditional Instruments in Global Folk Metal
Olivia R. Lucas
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13. Primordial Percussion: Drumming in Six Influential Metal Albums
Jose M. Garza, Jr.
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14. Paradigms of Guitar Performance Practice and the Language of Metal Music
Mark Marrington
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15. Metal Guitar Techniques as Timbre, Form, and Speed
Calder Hannan
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16. The Evolution of the Bass Guitar in Metal Music: Its Function in Performance and Compositional Structure
Shvan Kaban
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17. Keys to Hell: Synthesizers from Early Death Metal to Deathcore
Tyler Osborne
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Part III. Expressions and Techniques: Voices
18. “All Shall Scream”: Transposable Lessons from Pierre-Luc Senecal’s Hate.Machine for Growlers Choir
Eric Smialek
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19. Song of the Siren, Cry of the Warrior: An Exploration of Song Structures and Female Vocal Techniques in Power Metal
Suzanne Strauss
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20. Thine Voice is Oh So Sweet: Gothic Metal and Vocal Timbre Diversity
Vik Squires Donnelly
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21. Nu Metal’s Influential Vocal Composition: Tension and Release in the Music of Korn, Incubus, and Machine Head
Clare King
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22. Beyond “Beauty and the Beast”: The Evolution of Gendered Clean-Harsh Vocal Pairings in Metal Music
Lori Burns
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Part IV. Productions
23. Imagining Future Extremes on the Record Player: Time Axis Manipulation as a Theory of Extreme Metal Creativity and History
Florian Walch
24. Masters of Reality: The (De)construction of Reality in the Production of Metal Music
Niall Thomas
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25. Fragmented and Distributed Production Practices in 21st Century Metal Music: From the Studio to the Bedroom (and Back Again?)
Steven Gamble and Lewis Kennedy
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26. Electronic Drums in Industrial Metal and Continuing Practices in Contemporary Metal Music
Neyssensas Manuel
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27. Guitar Pro or DAW-based Software?for Metal Composition
Fulya Celikel
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28. Black Metal and the Sonic Search for Nature
David Hemery
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29. Contemporary Approaches to Metal Music Production: Traditional Heavy Metal, Death Metal, and Metalcore
Jan Herbst and Mark Mynett
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