The Routledge Handbook of Urban Cultural Planning (Hardcover, 1)

0.1 Foreword: Culture is our Super Power? 0.2?Introduction: Urban Cultural Planning Now: Some Thoughts and Executive Summary??Section 1: Belonging in the City: Arts and Planning for Equity/Social Development?1.1. Cultural Planning, Cultural Policy, and the Civic We? 1.2. Creative Placemaking’s “Long Tail”??1.3. The Importance of Storytelling to the Individual, the Community, and its Implications for Public Mental Health??1.4. Place, Cultural Planning, and Immigration in Australia??1.5. Civic Imagination: An Artist Offers Ten Proposals??Section 2: Planning For and With Culture in Urban Planning??2.1. Cities for the Imagination (Or, Seven Provocations on Potential Futures for Urban+Creative Practices)??2.2. Reflections on NYC’s First Cultural Plan: A Conversation Between Eddie Torres and Tom Finkelpearl??2.3. Cultural Districts and Cultural Policy??2.4. Cultural Asset Mapping in Urban Communities??2.5. Identity and Place Attachment in Cultural Planning??2.6. Transforming Communities: Addressing Housing Instability through?Art, Advocacy, and Collective Action??2.7. Painting a Strategy, Dancing a Meeting: What Can the Arts Lend to Transit Planning???Section 3: Creative and Cultural Industries and Global Tourism Planning??3.1. The Creative Economy So Far in the 2000s??3.2. A Glance in Brazil: Creative Economy Policies Aimed at Mitigating the Effects of the Pandemic??3.3. Night Time Economy: From Cinderella Policy to a Global Movement??3.4. The Making of a Music City: Catalysts, Approaches, Benefits and Challenges of Enactment??3.5. From Wellington to Wellywood: Mapping the Emergence of a Global Screen Production Hub??3.6. World Design Capital 2024 San Diego ? Tijuana: Preparing a Region for a Global Designation by Owning Your Foibles, Warts and Scars??Section 4: Financing Arts and Culture ? For?What Goal???4.1. The Eight Pillars of American Cultural Policy??4.2. Artists as Allies in Economic Justice??4.3. Solidarity Economy??4.4. Culture, Community, Equity, Belonging? 4.5. Cultural Land Trusts as an Emerging Solution to the Arts Space Crisis? 4.6. Reimagining the Cultural District: From Economic Transaction to Collective Cultural Thriving??Section 5: Cultural Institutions and Buildings, Public Space and Public Art??5.1. The Future is Promised to No One: On Museum Precarity, Adaptability & Sustainability??5.2. Museums: Growth, Crises and Prospects??5.3. Transformative Urban Regeneration in Victoria Yards??5.4. Case Study: How We Created the World’s First Publicly Accessible Art Storage Facility??5.5. “Practicing in Public”??Section 6: How the Past Informs?Our Future: Heritage Planning??6.1. The Preservation of Urban Heritage. A New Frontier for the Governance of Cultural Assets. Lessons from Latin American World Heritage Sites??6.2. Site-Based Pedagogies: Connecting Heritage Education and Critical Heritage Practice??6.3. Heritage as a Way to Interpret and Inhabit the Territory??6.4. Urban Heritage Conservation and Revitalization on Japan’s Shrinking Society: A Challenge to the Picturesque Historic Port City of Onomichi??Section 7: Culture and the Climate Crisis??7.1. Sustainable Development in Cultural Districts, a Research Report Exploring Practices of Ten Cities Around the World??7.2. Integrating Culture and Disaster Risk Management in Urban Planning for more Resilient Societies??7.3. The Cultural Dimensions of Climate Change: An African-Indigenous Framework??7.4. A Feral Commons: Methodologies for Commissioning Sustainable Public Art??7.5. Conservation Regulations and Urban Planning in Climate Change Era??Section 8: In Closing??8.1. Communities Deserve Creative Outlets: A Conversation Between Chair Dr. Maria Rosario Jackson and Senior Advisor Jen Hughes of the National Endowment for the Arts on Artful Lives and Equitable Community Development