Agencies in Feminist Translator Studies : Barbara Godard and the Crossroads of Literature in Canada (Paperback)

Contents

Part 1: Cross-Disciplinary Feminisms: Towards Feminist Translator Studies?????????

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1. Introduction. Feminisms, disciplinary politics, and translation: Defying knowledge????????

1.1 A Feminist stance on the (re-)production of knowledge??????????

1.2. Feminisms, disciplinary politics and translation??????????

1.3. A feminist, agency-driven view on translation (history)??????????

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2. Feminist Translator Studies: A Cross-Disciplinary Hub?

2.1. Feminist Translator Studies: Agency, discursiveness

2.2. Towards Feminist Translator Studies??????????????

2.3. Critical Discourse Methodologies for Feminist Translator History: Feminist Translation as a Form of FCDA???????????????

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3. Telling the narrator’s tale: The legacy of Barbara Godard’s agency????????

3.1. The narrator?????????????

3.2. The tale

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Part 2: A Feminist Translator's Portrait: Barbara Godard's agency at the crossroads of literature in Canada??????????

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4. Arrival at York University: In the chinks of the Canada Council machine??????????????

4.1. Establishment? A point of departure?????????????

4.2. "English-Canada's New Wild West": Quebec's Rebellious Literary Search for Identity

4.3. Intercultural Canada? The Literary Translators Association (LTAC)?????

4.4. Stagnation???????????????

4.5. Arrival at York University: The Canada Council Years

4.6. Godard's Tale of Don L'Orignal (1978): Channeling Maillet's Roman Acadien

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5. Breaking into academia: The golden age of Canadian-feminist translation?????????

5.1. “Roman national or recit feminin?”: The reception of a literary (Feminist) Quebecois Identity??????????????

5.2. Feminist Criticism as the first truly transnational Canadian dialogue?

5.3. The Golden Age of Canadian-Feminist Translators????

5.4. L'amer (1977) and These Our Mothers (1984): Godard's First Approximation to Brossard's Fiction Theory

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6. Passing on The Mission: New Questionings?????

6.1. Self-Criticism: The emergence of Canadian (Literary) Translation Studies???????

6.2. Collaboration, Polyphony: Translation becomes self-conscious feminist activism????????

6.3. Loose ends

6.4. Overture: The Last Academic Voices of Canadian-Feminist Translation????????????

6.5. "Je deparle yes I unspeak": A collaborative translation of Lola Lemire Tostevin's bilingual feminist poetry (1989)??

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Part 3: Future directions?????????????

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7. Feminisms, Nation, Translation: Barbara Godard's Periplum and the fate of Canadian Feminist Translation Studies???????????????

7.1. Decline of the Canadian dream?????????

7.2. Divergence in the CanLit ranks: (Im-)Possibilities of the Woman/Nation Binomial???????

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8. Un-Charting The future of the dialogue between translators and feminisms?????

8.1. Prospects: Disciplinary politics and (Translative) Feminisms?

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Index