The Shakespearean International Yearbook : Disability Performance and Global Shakespeare (Paperback)

Part I: Disability Performance and Global Shakespeare; 1. Introduction: Disability Performance and Global Shakespeare; 2. Concealing, Simulating, or Re-Defining Disability?: Richard III and Performing (with) Disability in Arabian Gulf Theatre; 3. “A body like this can’t play Richard”: Embodied Representation and Welshness in richard iii redux [or] Sara Beer is/not Richard III; 4. “Baroque Staring”: Caliban in Polish Theatre; 5. Making Meaning of the (Ab)normal Body: Reading Caesar’s Body as a Palimpsest in Julius Caesar and Sri Lankan Performance; 6. “Audience to this Act”: Audience as Disabling in Stagings of Deafness in Hamlet; 7. “What’s with Him?”: Reading Hamlet and Haider through the Lens of Disability-Craft; 8. Intellectual Disability, Madness, and Gender in Karim-Masihi’s Tardid/Doubt: A Rewriting of Shakespeare’s Hamlet; 9. “Cast[e]ing Shakespeare”: Intersections of Disability and Race in Vishal Bhardwaj’s Maqbool; 10. Against White Cripistemology: Seeing Race and Global Disability in King Lear; Part II: The Year in Review; 11. Access and Global Shakespeares: The State of the Field, 2022-23