The Cambridge Handbook of the Imagination (Hardcover)

1. Surveying the imagination landscape; Part I. Theoretical Perspectives on the Imagination: 2. The evolution of a human imagination; 3. Material imagination: an anthropological perspective; 4. The archaeological imagination; 5. Philosophical perspectives on imagination in the Western tradition; 6. Imagination in classical India: a short introduction; 7. From prediction to imagination; 8. Memory and imagination: perspectives on constructive episodic simulation; 9. Capturing the imagination; 10. A sociocultural perspective on imagination; 11. Artificial intelligence and imagination; Part II. Imagery-Based Forms of Imagination: 12. The visual imagination; 13. Musical imagery; 14. Neurophysiological foundations and practical applications of motor imagery; 15. Temporal mental imagery; 16. Emotional mental imagery; 17. Multisensory perception and mental imagery; 18. Evocation: how mental imagery spans across the senses; Part III. Intentionality-Based Forms of Imagination: 19. Continuities and discontinuities between imagination and memory: the view from philosophy; 20. Imagining and experiencing the self on cognitive maps; 21. The neuroscience of imaginative thought: an integrative framework; 22. Imagination and self-referential thinking; 23. Imaginary friends: how imaginary minds mimic real life; 24. Imagination and moral cognition; 25. Moral reasoning: a network neuroscience perspective; 26. The future-directed functions of the imagination: from prediction to metaforesight; Part IV. Novel Combinatorial Forms of Imagination: 27. On the interaction between episodic and semantic representations: constructing a unified account of imagination; 28. How imagination supports narrative experiences for textual, audiovisual, and interactive narratives; 29. Development of the fantasy-reality distinction; 30. Imagining the real: Buddhist paths to wholeness in Tibet; 31. Hypothetical thinking; 32. The counterfactual imagination: the impact of alternatives to reality on morality; 33. A look back at pioneering theories of the creative brain; Part V. Phenomenology-Based Forms of Imagination: 34. Imagination in the philosophy of art; 35. Imagination in aesthetic experience; 36. The arts and human symbolic cognition: art is for social communication; 37. Aesthetic engagement: lessons from art history, neuroscience, and society; 38. Dance and the imagination: be a butterfly!; 39. Imagination, intersubjectivity and a musical therapeutic process: a personal narrative; Part VI. Altered States of Imagination: 40. Dreaming beyond imagination and perception; 41. Dreaming is imagination roaming freely, based on embodied simulation, and subserved by an unconstrained default network; 42. Aphantasia; 43. Hypnosis and imagination; 44. Hallucinations and imagination; 45. The psychiatry of imagination; 46. Meditation and imagination; 47. Flow in performance and creative cognition: an optimal state of task-based adaptation; 48. The force of the imagination.