Reenacting Shakespeare in the Shakespeare Aftermath : The Intermedial Turn and Turn to Embodiment (Hardcover, 2019 ed.)

PART 1: INTRODUCTION Chapter 1: Reenacting Shakespeare in the Shakespeare Aftermath 1.1) Mapping the Terrain 1.2) Points of Departure 1.3) Excess, Exhaustion, Reenactment 1.4) Experiment, Exception, Avant-Garde 1.5) Case Study: Shakespeare through the Lookingglass Chapter 2: The Intermedial Turn & Turn to Embodiment 2.1) The Intermedial Turn 2.2) The Turn to Embodiment 2.3) Case Study: The Wooster Group Meets the RSC at the Swan 2.4 ) A Brief Postdramatic Postscript PART 2: GHOSTS OF HISTORY Chapter 3: Ghosts of History: Edward Bond's Lear & Bingo , Heiner Muller's Hamletmachine 3.1) Ghosts of a Dead Religion 3.2) The Writing on the Wall 3.3) "Was anything done"? 3.4) "The script has been lost" Chapter 4: States of Exception: Remembering Shakespeare Differently in Anatomie Titus, Forget Hamlet & Haider 4.1) Prelude: Anatomie Titus 4.2 Forgetting Hamlet 4.3) Building a Better Mousetrap 4.4) States of Exception Chapter 5: Peter Greenaway's Montage of Attractions: Prospero's Books and the Paratextual Imagination 5.1) Genealogies 5.2) A Montage of Attractions 5.3) Animated Displays 5.4) The Virtual Future PART 3: GHOSTS OF THE MACHINE Chapter 6: Channeling the Ghosts: the Wooster Group's Remediation of the 1964 Electronovision Hamlet 6.1) The Tenth Age of Shakespeare 6.2) "The peculiar intensity and nerves of this" 6.3) Channeling the Ghosts 6.4) "The media's the thing" 6.5) "The best in this kind" Chapter 7: High Tech Shakespeare in a Mediatized Globe: Ivo van Hove's Roman Tragedies & the Problem of Spectatorship 7.1) The Problem & Politics of Spectacle 7.2) High-Tech Shakespeare 7.3) Van Hove's Mediatized Globe 7.4) The Problem of Spectatorship 7.5) The Return of the Real Chapter 8: Disassembly, Meaning-Making & Montage in Annie Dorsen's A Piece of Work and Peter Lichter and Bori Mate's The Rub 8.1) Machine Dreams 8.2) Disassembly, Disintegration & Serial Reproduction 8.3) Meaning-Making & Montage 8.4) The Cinematic Machine 8.5) Theater by other means Chapter 9: CODA: Mixed Reality: the Virtual Future & Return to Embodiment 9.1) The Virtual Future 9.2) Return to Embodiment 9.3) Mixed Reality