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· 분류 : 외국도서 > 예술/대중문화 > 음악 > 장르/스타일 > 재즈
· ISBN : 9781138231160
· 쪽수 : 514쪽
· 출판일 : 2018-12-06
목차
I. Historical Perspectives
1. Wilkie’s Story: Dominant Histories, Hidden Musicians, and Cosmopolitan Connections in Jazz (Tony Whyton)
2. Diasporic Jazz (Bruce Johnson)
3. Strike Up the Band: Parallel Histories in Jazz and Musical Theatre (Julianne Lindberg)
4. ‘That Ain’t No Creole, It’s a…!’: Masquerade, Marketing, and Shapeshifting Race in Early New Orleans Jazz (Bruce Raeburn)
5. Jazz Education: Historical and Critical Perspectives (Ken Prouty)
6. The Birth of Jazz Diplomacy: American Jazz in Italy, 1945 ? 1963 (Anna Calenza)
7. Swan Songs: Jazz, Death and Famous Last Concerts (Walter van de Leur)
8. Jazz on Radio (Tim Wall)
9. My Jazz World: The Rise and Fall of a Digital Utopia (Simon Barber)
II. Methodologies
10. After Wynton: Narrating Jazz in the Postneotraditional Era (David Ake)
11. Jazz and the Material Turn (Floris Schuiling)
12. On Billboard, Isaac Hayes, and the ‘Swinging Relationship’ Between Jazz and Its Popular Music Cousins, 1950-1973 (John Howland)
13. ‘Wacky Post-Fluxus Revolutionary Mixed Media Shenanigans:’ Rethinking Jazz and Jazz Studies through Jason Moran’s Multimedia Performance (John Gennari)
14. And Then I Don’t Feel So Bad: Jazz, Sentimentality, and Popular Song (Alan Stanbridge)
III. Core Issues and Topics
15. Space and Place in Jazz (Andrew Berish)
16. The Vocalized Tone (Tom Perchard)
17. Jazz and Disability (Patrick George McKay)
18. Race in the New Jazz Studies (Burke)
19. Time in Jazz (Mark Dorfman)
20. What is the Place of the Recording Process in Jazz (Ben Bierman)
21. Improvisation: What Is It Good For? (Raymond MacDonald & Graeme Wilson)
22. Figuring Improvisation (Peter Elsdon)
23. Jazz and Everyday Aesthetics (Nicholas Gebhardt)
IV. Individuals, Collectives and Communities
24. New Orleans, the "Creole Concept," and Jazz (Wolfram Knauer)
25. Sitting in and Subbing Out: The Gig Economy of 1960s New York (Marian Jago)
26. George Lewis’s Voyager (Paul Steinbeck)
27. Conceptualising Jazz as a Cultural Practice in Soviet Estonia (Heli Reimann)
28. Quiet about It?Jazz in Japan (Michael Pronko)
29. Writing the Jazz Life (Krin Gabbard)
30. Performing Improvisation: Bill Evans and Jean-Yves Thibaudet (Deborah Mawer)
31. Bossa Nova and Beyond: The Jazz as Symbol of Brazilian-ness (Eduardo Vincente)
V. Politics, Discourse and Ideology
32. Jazzing for a Better Future: South Africa and Beyond (Chris Ballantine)
33. Eric Hobsbawn on Jazz (Roger Fagge)
34. Jazz at the Crossroads of Art and Popular Music Discourses in the 1960s (David Brackett)
35. The Rhetoric of Jazz (Greg Clark)
36. Unfinalizable: Bakhtin, Dialogue, and Self-Expression in Jazz (Charles Hersch)
VI. New Directions and Debates
37. Listening for Empire in Transnational Jazz Studies (Fritz Schenker)
38. The Art of Improvisation in the Age of Computational Participation (David Borgo)
39. The Reason I Play the Way I Do Is: Jazzmen, Emotion, and Creating in Jazz (Nichole Rustin-Paschal)
40. Renaissance or Afterlife? Nostalgia in the New Jazz Films (Bjorn Heile)
41. Comics as Criticism: Harvey Pekar, Jazz Writer (Nicolas Pillai)
42. Free Spirits ? The Performativity of Free Improvisation (Petter Frost Fadnes)














