Cine-Ethics : Ethical Dimensions of Film Theory, Practice, and Spectatorship (Paperback)

Introduction Jinhee Choi and Mattias Frey Part 1: The Ethical Self and Others 1.A World Past D.N. Rodowick 2. Cinema’s Compassionate Gaze: Empathy, Affect, and Aesthetics in The Diving Bell and the Butterfly, Jane Stadler 3. Moral Change: Fiction, Film, and Family Noel Carroll 4. Fault Lines: Deleuze, Cinema, and the Ethical Landscape Alasdair King Part 2: Documentary and the Ethical5. The Ethics of Contemplation: Kim Ki-duk’s Arirang, Jinhee Choi6. Uncomfortable Viewing: Deauthorized Performances, Ethics and Spectatorship in Sacha Baron Cohen’s Borat, Robert A. Clift 7. Heddy Honigmann’s Contemplations on Ars Vitae and the Metamodern Turn Annelies van Noortwijk 8. Self-Reflexivity and Historical Revision in A Moment of Innocence and TheApple Vince Bohlinger Part 3: Exploitation and the Extreme 9. The Ethics of Extreme Cinema Mattias Frey 10.Moral Agency, Artistic Immorality, and Critical Appreciation: Lars von Trier's The IdiotsTrevor Ponech 11. Something to Hide: The Ethics of Surveillance in Saw Jason MiddletonPart 4:Ethics and the Images of Nature12.Community Engagement and Film: Toward the Pursuit of Ethical Goals through Applied Research on Moving ImagesMette Hjort 13. Animal-Borne Imaging: Embodied Point-of-View and the Ethics of Identification Ruth Erickson