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· 제목 : Painting, Politics and the Struggle for the -ole de Paris, 1944-1964 (Paperback) 
· 분류 : 외국도서 > 예술/대중문화 > 예술 > 예술 역사 > 일반
· ISBN : 9781138253452
· 쪽수 : 330쪽
· 출판일 : 2016-10-03
· 분류 : 외국도서 > 예술/대중문화 > 예술 > 예술 역사 > 일반
· ISBN : 9781138253452
· 쪽수 : 330쪽
· 출판일 : 2016-10-03
책 소개
Painting, Politics and the Struggle for the Ecole de Paris, 1944-1964 is the first book dedicated to the postwar or 'nouvelle' Ecole de Paris. It challenges the customary relegation of the Ecole de Paris to the footnotes, not by arguing for some hitherto 'hidden' merit for the art and ideas associated with this school, but by establishing how and why the Ecole de Paris was a highly significant vehicle for artistic and political debate. The book presents a sustained historical study of how this 'school' was constituted by the paintings of a diverse group of artists, by the combative field of art criticism, and by the curatorial policies of galleries and state exhibitions. By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, the book traces the artists, exhibitions, and art critical debates that made the Ecole de Paris a zone of aesthetic and political conflict. Through setting the Ecole de Paris into its artistic, social, and political context, Natalie Adamson demonstrates how it functioned as the defining force in French postwar art in its defence of the tradition of easel painting, as well as an international point of reference for the expansion of modernism. In doing so, she presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in France during the two decades following World War II.
By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, Natalie Adamson traces the artists, exhibitions, and art critical debates that made the Ecole de Paris a zone of aesthetic and political conflict. This study presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in postwar France.
By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, Natalie Adamson traces the artists, exhibitions, and art critical debates that made the Ecole de Paris a zone of aesthetic and political conflict. This study presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in postwar France.
목차
Contents: Introduction: Ecole de Paris: meaning to be determined; A complete change of decor: the Nouvelle Ecole de Paris; An 'individualist internationale': foreign artists and abstract painting; The crisis of realism and reality; The critics of the Ecole de Paris; Is the Ecole de Paris condemned to death?; Conclusion: the mourning of the object; Selected bibliography; Index.
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