Shooting Movies Without Shooting Yourself in the Foot : Becoming a Cinematographer (Hardcover)

CHAPTER 1: INTRODUCTION
Part 1: REALITIES OF PRE-PRODUCTION
CHAPTER 2 WHAT'S FIRST?      
CHAPTER 3 WE'RE STILL READING THE SCRIPT   
CHAPTER 4 A FEW MORE THINGS TO THINK OF   
CHAPTER 5 SHOT LIST      
CHAPTER 6 CREW       
CHAPTER 7 LOCATIONS      
CHAPTER 8 SELECTING A CAMERA     
CHAPTER 9 SELECTING THE LENS     
CHAPTER 10 SELECTING FILM STOCK     
CHAPTER 11 SELECTING A TRIPOD AND HEAD   
CHAPTER 12 WHAT EVERYONE ELSE IS DOING TO PREP  
CHAPTER 13 THE NIGHT BEFORE    
Part 2: PRODUCTION
CHAPTER 14 ON TIME AND READY TO SHOOT 
CHAPTER 15 FIRST DAY/ FIRST SHOT    
CHAPTER 16 SHOOTING MASTERS     
CHAPTER 17 CLOSE-UPS AND COVERAGE   
CHAPTER 18 OPERATING THE CAMERA    
CHAPTER 19 STILL MORE COMPOSITION or FOLLOW THE MONEY
CHAPTER 20 THE HORROR OF THE 180º LINE  
CHAPTER 21 THE GOOD, THE BAD, AND THE UGLY (Not necessarily in that order)
CHAPTER 22 LEARNING THE HARDWARE    
CHAPTER 23 WHY WE LIGHT      
CHAPTER 24 EXPOSURE      
CHAPTER 25 EXERCISE: SHOOTING YOUR PROJECT ON FILM 
Part 3: POST-PRODUCTION
CHAPTER 26 POST-PRODUCTION: TIMING AND TRANSFERRING
CHAPTER 27 POST-PRODUCTION: PUTTING TOGETHER A REEL
Part 4: TECHNICALITIES
CHAPTER 28 CAMERAS: BLACK BOXES   
CHAPTER 29 LENSES       
CHAPTER 30 FILM
CHAPTER 31 COLOR TEMPERATURE
CHAPTER 32 USING AND HANDLING FILM CAMERAS AND LENSES
CHAPTER 33 USING A TRIPOD AND HEAD
CHAPTER 34 THE DOLLY GRIP
CHAPTER 35 LABORATORY