Innovation in Music : Performance, Production, Technology, and Business (Paperback)

Preface 　 Part A ? Performance 　 1 Transforming musical performance: the audience as performer - Adrian York 2 Using Electroencephalography to explore cognitive-cultural networks and ecosystemic performance environments for improvisation - Tim Sawyer 3 Press Play on Tape: 8-bit composition on the Commodore 64 - Kenny McAlpine 4 Defining and Evaluating the Performance of Electronic Music - Jenn Kirby 5 Perspectives on musical time and human/machine agency in the development of performance systems for Live Electronic Music - Paul Vandemast-Bell & John Ferguson 6 Visual agency and liveness in the performance of electronic music - Tim Canfer 7 Liveness and Interactivity in Popular Music - Si Waite 8 How algorithmic composition prompts innovative movement design in full-body Taiko drumming ? Stu Lambert 　 Part B ? Production 　 9 Collective Creativity: A ‘Service’ Model of Commercial Pop Music Production at PWL in the 1980s - Paul Thompson & Phil Harding 10 Mix & Persona: Analyzing Rejected Mixes - Dan Sanders 11 Mixing Beyond the Box: Analyzing Contemporary Mixing practice - Alex Stevenson 12 Optimizing vocal clarity in the mix - Kirsten Hermes 13 Plugging In: Exploring innovation in plugin design and utilization - Andrew Bourbon 14 Mixing and recording a small orchestral ensemble to create a large orchestral sound - Jenna Doyle 15 Committing to Tape: Questioning Progress Narratives in Contemporary Studio Production - Joe Watson 　 Part C ? Technology 　 16 Harnessing ancillary microgestures in piano technique: implementing microgestural control into an expressive keyboard-based hyper-instrument ? Niccolo Granieri, James Dooley & Tychonas Michailidis 17 MAMIC goes LIVE: A Music Programming System for Non-Specialist Delivery - Mat Dalgleish & Chris Payne 18 Translating mixed multichannel electroacoustic music with acoustic soloist to the personal stereophonic listening space: a case study in Jorge Gregorio Garcia - Simon Hall 19 Acoustic transmission of metadata in audio files using Sonic Quick Response Codes (SQRC) - Mark Sheppard, Rob Toulson & Jorg Fachner 20 Evaluating analog reconstruction performance of transient digital audio workstation signals at high- and standard- resolution sample frequencies ? Rob Toulson 　 Part D ? Business 　 21 Can music samples be cleared more easily? Development of an automated process to clear music samples for legal creative reuse - Stephen Partridge 22 (Re)Engineering the cultural object: sonic pasts in hip-hop’s future - Mike Exarchos 23 Anticipating the Cryptopirate: "Don’t Bury Treasure" and Other Potential Preventative Measures - Patrick Twaddle 24 Can I Get a Witness? The significance of contracts in an age of musical abundance - Sally Gross 25 The end of a Golden Era of British Music? Exploration of educational gaps in the current UK creative industry strategy - Carola Boehm Index