The Routledge Companion to Digital Humanities and Art History (Hardcover, 1)

Introduction [Kathryn Brown] PART I Histories and Critical Debates Digital Methods and the Historiography of Art Paul B. Jaskot Blindspot: Information Visualization and Art HistoryJohanna Drucker The Digital Transformation of Art History Harald Klinke Feminist Digital Art HistoryKathryn Brown and Elspeth Mitchell Slow Digital Art History and KUbism: Or, Situation Awareness and the Promise of Open-World Games Koenraad Brosens, Bruno Cardoso, and Fred Truyen PART II Archives, Networks, and Maps Tangled Metaphors: Network Thinking and Network Analysis in the History of ArtMatthew D. Lincoln Digital Humanities for a Spatial, Global, and Social History of ArtBeatrice Joyeux-Prunel Mapping Paintings, or How to Breathe Life into ProvenanceJodi Cranston Qualitative Approaches to Network Analysis in Art History: Research on Contemporary Artists’ Networks Sanja Sekelj Mapping Senufo: Mapping as a Method to Transcend Colonial AssumptionsSusan Elizabeth Gagliardi X-Reception: Re-mediating Trans, Feminist, and Queer Performance Art T.L. Cowan Digital Methods and the Study of the Art MarketPamela Fletcher and Anne Helmreich Noise Management in the Archival Ecosystem: Debating Principles for Classification Anna Dot and Pablo Santa Olalla PART III Museums: Real, Virtual, and Augmented Digital Imaging Projects for Asian Art and Visual Culture: Transcultural Mediations and CollaborationsKatherine R. Tsiang A Field Guide to Digital Surrogates: Evaluating and Contextualizing a Rapidly Changing ResourceEmma Stanford A Service-Orientation and Open Source Approach to Developing Virtual Museums Martin White and Ben Jackson Art History, Heritage Games, and Virtual RealityErik Champion and Anna Foka Art with a Lifespan: Digital Technologies and the Preservation of Bio Art Christl Baur The Expanding Role of Digitized Collections: The Medici ArchiveAlessio Assonitis Digital Languages for Art History: Audience Engagement, Virtual and Augmented Reality Stefania De Vincentis and Luca Nicolo Vascon　 PART IV Computational Techniques for Analyzing Artworks Curation, Content, Creation: Computer Approaches to the Fine Arts Javier de la Rosa and Juan-Luis Suarez Computerized Analysis of PaintingsJames Z. Wang, Baris Kandemir, and Jia Li Digital 3D Modeling for the History of ArtAmy Jeffs Metadata, Material Culture, and Global Art HistoryRobert Wellington Image Processing and Computer Vision in the Field of Art HistoryNuria Rodriguez-Ortega Pointers and Proxies: Thoughts on the Computational Modeling of the Phenomenal World Alison Langmead and David Newbury Approaching Aby Warburg and Digital Art History: Thinking Through Images Amanda du Preez Analyzing Gesture in Digital Art History Leonardo Impett Digital Techniques for the Study of Portuguese Azulejos (Glazed Tiles): Between Alice’s White Rabbit and the Mad Tea Party Rosario Salema de Carvalho, Rafaela Xavier, and Ines Leitao PART V Digital Resources, Publication, and Education The Database of Modern Exhibitions (DOME): European Paintings and Drawings 1905?1915 Christina Bartosch, Nirmalie Mulloli, Daniel Burckhardt, Marei Dohring, Walid Ahmad, and Raphael Rosenberg The Art-Historical Catalogue in the Digital EraAnne Collins Goodyear Digital Provenance, Open Access, and Data-Driven Art History Anne Luther Research, Process, Publication, and Pedagogy: Reconstructing the World’s Columbian Exposition of 1893Lisa M. Snyder Social Media in the Art History ClassroomLauren Ann Jimerson and Allison Leigh