Taiwan Cinema : International Reception and Social Change (Hardcover)

1. From Taiwan New Cinema to Post-New Cinema: An Introduction, Kuei-fen Chiu, Ming-yeh T. Rawnsley & Gary D. Rawnsley

2. Taiwan Cinema across the Globe: A Brazilian Perspective, Cecilia Mello

3. Variables of Transnational Authorship: Hou Hsiao-hsien and Wei Te-sheng, Valentina Vitali

4. Taiwan Cinema at the Venice Film Festival: From Cultural Discovery to Cultural Diplomacy, Elena Pollacchi

5. Contesting the National, Labelling the Renaissance: Exhibiting Taiwan Cinema at Film Festivals in Japan since the 1980s, Ran Ma

6. Programming Taiwan Cinema: A View from the International Film Festival Circuit, Brian Hu

7. Interventions on Cultural Margins: The Case of the Chinese Film Forum UK and the Presence of Taiwan Cinema in the UK, Felicia Chan and Andy Willis

8. Becoming a Nation: The Shaping of Taiwan’s Native Consciousness in Wei Te-sheng’s Post-Millennium Films, Chialan Sharon Wang

9. Imagine There’s No China: Wei Te-sheng and Taiwan’s ‘Japan Complex’, Chris Berry

10. Kano and Taiwanese Baseball: Playing with Transregionality and Postcoloniality, Ping-hui Liao

11. Seediq Bale as History, Robert A. Rosenstone

12. Violence and Indigenous Visual History: Interventional Historiography in Seediq Bale and Wushe, Chuanzhong Island, Kuei-fen Chiu

13. Archiving an Historical Incident: The Making of Seediq Bale as a Socio-Political Event, Yu-lin Lee

14. Mona Rudao’s Scar: Two Kinds of Epic Identity in Seediq Bale, Darryl Sterk

15. A Conversation with Taiwanese Filmmaker Wei Te-sheng, Ming-yeh T. Rawnsley