책 이미지
책 정보
· 분류 : 외국도서 > 예술/대중문화 > 애니메이션 > 애니메이션
· ISBN : 9781138854826
· 쪽수 : 416쪽
· 출판일 : 2015-11-17
목차
Table of Contents
The sixth Period, since 1991, features economic globalization, expansion of the television series, progress of countries like Japan, Korea, China, India, consolidation of elitist auteur animation. But it is impossible to write history while it is in its making. We'll leave the Period uncharacterized, until the day we will be witnessing its ending: these are then Contemporary Times (1991 ? 2015)
CONTEMPORARY TIMES
The Last Days of the Wall
An Animation Notebook
AMERICA
Is TV an Art, Too?
Animation followed
Sub-Period 1: The Beginning, 1989-1998
Mike Judge
Nickelodeon’s double humour
A matter of style
The extremist
Sub-Period 2: 1999-2009
Author’s work
Animated channels
Limited Disney
Renaissance in Disney Features
The mantle of Walt
Working on dreams
Pixar, Character Animation in the Digital Era
Before PIXAR
From Toy Story to Disney
The PixarTouch
Computer animation
What it looked like
Storytelling
CGI and Feature Films
Tim Burton, Henry Selick, Mike Johnson
Tim Burton
Henry Selick
Mike Johnson
The Independents
Outside Animation
Duration: Long Form
Duration: Time and Space
Performance Catharsis
Documentary
New Yorkers
Out There
Digital Pulp
Women in the Limelight
Vibeke Sorensen
Deanna Morse
Joanna Priestley
Maureen Selwood
The Soloists
Bill Plympton
Igor Kovalyov
Canada
Steven Woloshen
Normand Roger
Wendy, Amanda and the others
Jacques Drouin
The evolution of Pierre Hebert
EUROPE
Great Britain: The Wonderful Years
Animation meets video art
Londoners
In Manchester
In Cardiff
Scotland
Ireland
Studios
Independents
France
The feature film
Animation and Comic Strip
3D and Infography
TV Series
The Short Film
That famous touch
Michel Ocelot
Florence Miailhe
Alain Gagnol & Jean-Loup Felicioli
Borislav ?ajtinac
Belgium
Luxemburg
The Netherlands
Rosto
Michael Dudok De Wit
Germany after Reunification
The German Colleges as Origin of the Art of Animated Film
The Renewal of the Abstract Animated Film
Underground, Subversion and Animation
Reduction
Reflection and Narrative
The Art of Puppet Animation
The two young fathers
Humorous Germany? Animated movie theatre productions
New Form of 3D-rendered Computer Animations
Barbel Neubauer
Austria
Switzerland
Georges Schwizgebel
A case of form
Denmark
Sweden
Magnus Carlsson
Norway
Finland
Iceland
The Invasion of the Elves
Estonia
Priit Parn
Latvia
Lithuania
Belarus
Poland
Piotr Dumała
Jerzy Kucia
Czech Republic
Michaela Pavlatova
Ji?i Barta
Jan Balej
Pavel Koutsky
Vlasta Pospi?ilova
Aurel Klimt
Other Czech artists
Slovakia
Hungary
Slovenia
Croatia
Jo?ko Maru?i?
Serbia
Bosnia and Herzegovina
Bulgaria
Romania
Cyprus
Ukraine
Georgia
Armenia
Robert Sahakyants
Azerbaijan
Greece
Yiorgos Sifianos
Albania
Italy
The Neo-Pictorial Current
Spain
The new era
The turning point
TV series
Shorts
Portugal
Russia
The 1990s, history
The 2000s, history
Economy
A look back, in anger
Tatarsky and Pilot, the greatest adventure
Producers, the new class
Prokhorov, from science to children films
Directors: Aleksandr Petrov
Directors: Oksana Cherkasova
Directors: Dmitry Geller
Directors: Konstantin Bronzit
Directors: Garri Bardin
Directors: Stanislav Sokolov
Directors: Ivan Maksimov
Directors: Aleksei Demin
Directors: a trio
Directors: in Saint Petersburg
Directors: in Yekaterinburg
ASIA
Japan, Asiatic Giant
A lost decade?
Studio Ghibli
Takahata Isao
Miyazaki Hayao
More animation studios
Toei Animation
Studio 4°C
Gainax
TMS Entertainment
Sunrise
Madhouse
Production I.G
Studio Gonzo
Studio Bones
Manglobe
Kawaii
Auteurs
Rintaro
Oshii Mamoru
Kon Satoshi
Otomo Katsuhiro
Kawamori Shoji
Kawajiri Yoshiaki
Morimoto Koji
A new kind of serial
Examples
Satellite channels
The main directors of new serial animation
Anno Hideaki
Watanabe Shinichiro
Yuasa Masaaki
Hosoda Mamoru
Shinkai Makoto
Internet and CG anime
Visual art + anime and manga
Murakami Takashi
Tabaimo
Ishida Takashi
The Superflat world
Independent animation
Shojo Tsubaki by Harada Hiroshi
Kurosaka Keita
Yamamura Koji
More independent animators
Yokosuka Reiko
Yonesho Maya
Sato Dino
Murata Tomoyasu
Kato Kunio
Totchka
Sakakibara Sumito
Oyama Kei
Wada Atsushi
Mizue Mirai
Nakata Hideto
Tsuji Naoyuki
Conclusions
Challenges
Israel
Israeli/American Tatia Rosenthal
Turkey
Arabian Middle East
Palestine
Jordan
Syria
Lebanon
Iraq
Kuwait
Saudi Arabia
Bahrain
Qatar
Emirates - Dubai
Oman
Yemen
Iran
Kazakhstan
Zhaken Danenov, the master
Younger Kazakhs
Uzbekistan
Kyrgyzstan
New period, new horizons
Tajikistan
Bakhtier Kakharov
Turkmenistan
Mongolia
South Korea
China
Short Chinese animation 1990-2000
Investment and a new mainstream
Animation studios
Taiwan
Taiwan Independent
Hong Kong
India
Nepal
SOUTHEAST ASIA
Vietnam
Thailand
Malaysia
Singapore
Indonesia
The Philippines
AFRICA
Morocco
Algeria
Tunisia
Libya
Egypt
Mali
Niger
Sudan
Ethiopia
Senegal
Ivory Coast
Ghana
Benin
Burkina Faso
Nigeria
Camerun
Kenya
Democratic Republic of Congo (DRC)
Mozambique
Madagascar
Zimbabwe
The JAAG group
South African Republic
Frame-by-frame Animation Studios
Klaybow Films
Lindsay van Blerk and XYZoo
Triggerfish Studios
Commercial Studios
William Kentridge
LATIN AMERICA
Mexico
Feature films
Cuba
English-Speaking Caribbean Area
Jamaica
Saint Lucia
Barbados
Trinidad and Tobago
Guatemala
Honduras
El Salvador
Costa Rica
Panama
Colombia
Venezuela
Ecuador
Peru
Brazil
Bolivia
Paraguay
Chile
Argentina
Features
Short films
Appearence of schools
Uruguay
OCEANIA
Australia
Volumetric Leunig
Death becomes him
Adam Elliot
Anthony Lucas
And many more
New Zealand
ISSUES
Music videos
Stereoscopy
The audience’s literacy
Optical perception and film language
Machinima, real-time animation
