The Drama and Theatre of Sarah Ruhl (Paperback, Critical)

Acknowledgements Preface 1 "What aesthetic form might consciousness take?" Snowless The Lady with the Lap Dog and Anna Around the Neck Three Sisters Orlando Dear Elizabeth Coda 2 "I like plays that have revelations in the moment, where emotions transform almost inexplicably" Eurydice Demeter in the City Melancholy Play Scenes from Court Life or the whipping boy and his prince Coda 3 "Getting in the same room is kind of the dream" The Clean House Late: A Cowboy Song Dead Man's Cell Phone In the Next Room or the vibrator play Stage Kiss Coda 4 "I'm interested in those more invisible terrains" Passion Play The Oldest Boy For Peter Pan on Her 70th Birthday How to Transcend a Happy Marriage Coda 5 Directing Sarah Ruhl An interview with Sarah Rasmussen and Hayley Finn 6 Other Critical Perspectives Sarah Ruhl's Passion Play and Contemporary Expressions of Medieval Performance Jill Stevenson, Marymount Manhattan College, USA. Arrested Dev-elopement: Myth-Understanding Father-Daughter Love in Sarah Ruhl's Eurydice Christina Dokou, University of Athens, Greece. From Pontius Pilate to Peter Pan: Lightness in the Plays of Sarah Ruhl Thomas Butler, Eastern Kentucky University, USA. Chronology Notes and References Notes on Contributors Bibliography Index