The Arden Research Handbook of Shakespeare and Contemporary Performance (Paperback)

List of Illustrations Notes on Contributors Series Preface Acknowledgements Introduction Peter Kirwan (University of Nottingham, UK) and Kathryn Prince (University of Ottawa, Canada) Part 1: Research Methods and Problems 1.1 The Archive: Show Reporting Shakespeare Rob Conkie (La Trobe University in Melbourne, Australia) 1.2 The Audience: Receiving and Remaking Experience Margaret Jane Kidnie (University of Western Ontario, Canada) 1.3 The Event: Festival Shakespeare Paul Prescott (University of Warwick, UK) Part 2: Current Research and Issues 2.1 Original Practices: Old Ways and New Directions Sarah Dustagheer (University of Kent, UK) 2.2 Space: Locus and Platea in Modern Shakespearean Performance Stephen Purcell (University of Warwick, UK) 2.3 Economics: Shakespeare Performing Cities Susan Bennett (University of Calgary, Canada) 2.4 Networks: Researching Global Shakespeare Sonia Massai (King's College London, UK) 2.5 Global Mediations: Performing Shakespeare in the Age of Global and Digital Cultures Alexa Alice Joubin (George Washington University, USA) 2.6 Canon: Framing Not-Shakespeare Performance Eoin Price (Swansea University, UK) 2.7 Pedagogy: Decolonizing Shakespeare on Stage Andrew James Hartley (UNC Charlotte, USA), Kaja Dunn (UNC Charlotte, USA) and Christopher Berry (Black Theatre Network & Black Arts Institute) 2.8 Ethics: Practising Diversity at the Stratford Festival of Canada: Shakespeare, Performance and Ethics in the Twenty-First Century Erin Julian (University of Roehampton London/King's College London, UK) and Kim Solga (Western University, Canada) 2.9 Bodies: Gender, Race, Ability and the Shakespearean Stage Roberta Barker (Dalhousie University, Canada) 2.10 Technology: The Desire Called Cinema: Materiality, Biopolitics, and Post-Anthropocentric Feminism in Julie Taymor's The Tempest Courtney Lehmann (University of the Pacific, USA) Part 3: New Directions in Shakespeare and Performance Curated by C. K. Ash (Independent researcher) and Nora J. Williams (University of Essex, UK) 3.1 Anne G. Morgan 3.2 Jatinder Verma 3.3 Judith Greenwood 3.4 Dan Bray and Colleen MacIsaac 3.5 Migdalia Cruz 3.6 Lisa Wolpe 3.7 Julia Nish-Lapidus and James Wallis 3.8 Ravi Jain 3.9 Emma Whipday 3.10 Wole Oguntokun 3.11 Vishal Bhardwaj 3.12 Adam Cunis 3.13 James Loehlin 3.14 Denice Hicks 3.15 @Shakespeare 3.16 Jung-ung Yang Part 4: Resources for Researchers 4.1 A Fifty-Year History of Performance Criticism James C. Bulman (Allegheny College, USA) 4.2 A-Z of Key Terms Brid Phillips (University of Western Australia, Australia), with Peter Kirwan (University of Nottingham, UK) and Kathryn Prince (University of Ottawa, Canada) 4.3 Annotated Bibliography Karin Brown (University of Birmingham, UK), Peter Kirwan (University of Nottingham, UK) and Kathryn Prince (University of Ottawa, Canada) 4.4 Resources Peter Kirwan (University of Nottingham, UK) and Kathryn Prince (University of Ottawa, Canada) Index